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Copper Lassi satin folded over itself, the wave lines shifting between warm copper and cool blue-grey as the light moves
Close-up of the copper and blue-grey wave colorway, the same pairing shown in the main product photography for this fabric
A tight fold in the copper satin, where the blue-grey wave lines bend sharply at the crease
Copper wave-pattern satin draped to show its glossy movement and the contrast of the blue-grey lines
Front and reverse of the copper colorway, the back side settling into a quieter, more matte blue-grey
A wider cut of the copper and blue-grey wave satin, shown unfolded to judge the scale of the repeat
Close detail of the tonal taupe wave colorway, one of the more understated options in this fabric line
Taupe-grey satin folded softly, the wave motif reading almost entirely through sheen since the colorway is tonal
Taupe satin draped in loose waves, the pattern only visible where the fabric catches direct light
A soft crease in the taupe satin showing how subtly the wave lines separate from the base tone
Taupe colorway shown front and back, both sides reading close in tone with only a slight sheen shift
A wider view of the taupe wave satin laid flat, useful for seeing the full tonal pattern repeat
Close-up of the orange-red wave colorway, the highest-contrast option in this fabric's color range
Vivid orange-red satin folded over, with pale ivory wave lines standing out sharply against the bold base color
A tight fold in the orange-red satin, the ivory wave lines bending visibly with the crease
Orange-red Lassi satin draped to catch the light, the contrast lines clearly visible across the moving fabric
Front and back of the orange-red colorway, the glossy face far more saturated than its muted reverse
A wider section of the orange-red and ivory wave satin, shown to give a sense of the full pattern at scale
Close detail of the mauve-plum colorway, a deeper and warmer tonal option than the taupe version
Mauve-plum satin folded gently, the wave lines emerging through tonal sheen rather than strong contrast
A soft fold in the mauve-plum satin, the wave pattern catching light unevenly across the crease
Mauve-plum Lassi satin draped loosely, suited to buyers wanting color depth without high contrast
Front and reverse of the mauve-plum colorway, the back side leaning slightly cooler than the glossy face
A wider cut of the mauve-plum wave satin laid out, showing the full repeat of the tonal pattern
Close-up of the copper and blue-grey animal print, showing the cracked, mottled texture characteristic of this motif
Copper and blue-grey animal print satin folded over, the mottled pattern shifting tone across the crease
A tight fold in the copper animal print satin, the blue-grey patches breaking up unevenly at the crease
Copper animal print satin draped to show its glossy movement against the mottled blue-grey pattern
Front and reverse of the copper animal print colorway, the back side noticeably softer and more matte
A wider cut of the copper and blue-grey animal print satin, useful for seeing the full scale of the motif
Close detail of the tonal taupe animal print, a quieter option than the higher-contrast colorways
Taupe-beige satin folded gently, the animal print pattern reading mostly through subtle tonal sheen
A soft crease in the taupe satin, the mottled pattern only emerging where light catches the fabric directly
Taupe animal print satin draped loosely, suited to buyers wanting texture without strong color contrast
Taupe colorway shown front and back, both sides reading close in tone with a slight sheen difference
A wider view of the taupe animal print satin laid flat, showing the full tonal pattern repeat
Close-up of the burnt orange animal print, the most vivid of the four colorways in this design
Burnt orange satin folded over, the grey-mauve mottled pattern standing out sharply against the bold base
A tight fold in the burnt orange satin, the grey-mauve patches breaking sharply at the crease
Burnt orange animal print satin draped to catch the light, the high-contrast pattern visible across the fold
Front and back of the burnt orange colorway, the glossy face far bolder than its muted reverse side
A wider section of the burnt orange and grey-mauve animal print satin, shown to judge the pattern at scale
Close detail of the mauve-rose animal print colorway, warmer in tone than the taupe version
Mauve-rose satin folded softly, the animal print motif emerging through tonal sheen rather than strong contrast
A gentle fold in the mauve-rose satin, the mottled pattern catching light unevenly across the crease
Mauve-rose Lassi satin draped to show its fluid movement, the pattern visible mainly through sheen shift
Front and reverse of the mauve-rose colorway, the back side settling into a slightly deeper rose tone
A wider cut of the mauve-rose animal print satin laid out, showing the full tonal repeat
Close-up of the seaweed pattern woven into dusty rose stretch satin, visible mainly through sheen rather than color contrast
Dusty rose Lassi satin folded to show how the seaweed motif catches light differently across each curve
Fabric pinched into soft folds, showing how the dusty rose tone holds together even where the satin creases
Dusty rose reversible satin draped loosely, with the seaweed lines emerging as the fabric catches the light
Both sides of the dusty rose Lassi satin side by side, showing the glossy face and its softer matte reverse
A wider cut of dusty rose Seaweed satin jacquard laid flat, showing the overall scale of the woven motif.
Detailed view of the Seaweed jacquard motif in slate blue and warm mauve, showing the two-tone woven contrast.
Slate blue satin folded over itself, with the mauve-toned seaweed lines crossing at different angles in the fold
A tight fold in the slate blue satin, showing where the mauve pattern lines intersect near the crease
Slate blue Lassi satin hanging in soft waves, mauve seaweed lines visible across the moving fabric
Front and reverse of the slate blue colorway, showing how the glossy and matte sides differ in tone
Full width of the slate blue and mauve seaweed satin, shown unfolded to see the repeat of the motif
Close detail of the magenta colorway, where the contrast between bright pink and taupe is the most vivid of the six
Magenta satin gathered into a fold, with taupe seaweed lines running through the brighter pink tone
A soft crease in the magenta satin, showing the taupe pattern lines bending with the fabric
Magenta Lassi satin draped to show its glossy movement, with deeper pink shadow areas visible at the base
Magenta colorway shown front and back, the reverse side noticeably more muted than the glossy face
A wider section of the magenta and taupe seaweed satin, useful for seeing how the colorway reads at a distance
Close-up of the copper and blue-grey colorway, the combination shown in the original product photography for this fabric
Copper-toned satin folded against itself, with the blue-grey seaweed lines crossing through the warm base color
Copper satin pinched into a tight fold, showing how the blue-grey lines hold their shape even where the fabric creases
Copper Lassi satin draped loosely, the blue-grey seaweed motif catching light unevenly across the folds
Front and back of the copper colorway, showing the shift from glossy copper to a softer, matte blue-grey reverse
A wider view of the copper and blue-grey seaweed satin laid out, showing the full scale of the repeat
Close detail of the champagne colorway, the most subtle of the six since the pattern relies entirely on tonal sheen
Pale champagne satin folded softly, the seaweed lines barely visible except where the light catches the sheen
A gentle fold in the champagne satin, showing how understated the seaweed motif reads in this pale tone
Champagne Lassi satin draped in soft waves, suited to buyers wanting a near-solid look with subtle texture
Champagne colorway shown front and back, both sides reading close to neutral with only a slight sheen difference
A wider cut of the champagne seaweed satin, laid flat to show the full tonal pattern repeat
Close-up of the sage colorway, an earthier tone than the other five with warm mauve pattern lines
Sage green satin folded over, with mauve seaweed lines crossing through the muted green-grey base
A tight fold in the sage satin, where the mauve lines bend and cross as the fabric creases
Sage green Lassi satin draped to show its fluid movement, the seaweed lines visible across the curve of the fold
Sage colorway shown front and back, the reverse side shifting toward a deeper olive tone
Wide close-up of sage and mauve Seaweed satin jacquard showing both colour and woven motif scale.
Close-up of the orange-red seaweed colorway, the highest-contrast option among the seaweed designs
Vivid orange-red satin folded over, the ivory seaweed lines standing out sharply against the bold base color
A tight fold in the orange-red satin, the ivory pattern lines bending visibly at the crease
Orange-red seaweed satin draped to catch the light, the high-contrast lines visible across the moving fabric
Front and back of the orange-red colorway, the glossy face far more saturated than its muted reverse
A wider view of the orange-red and ivory seaweed satin, shown to give a sense of the pattern at scale
Close-up of the leaf design in teal and taupe, showing the branching silhouette woven into the satin
Teal Lassi satin folded over, the taupe leaf-and-branch motif curving across the crease
A tight fold in the teal satin, the leaf branches bending visibly at the crease
Teal leaf-pattern satin draped to show its glossy movement against the taupe branch motif
Front and reverse of the teal colorway, the back side settling into a softer seafoam tone
A wider cut of the teal and taupe leaf satin, shown to see the full scale of the branching motif
Close detail of the olive colorway, an earthier and more muted option than the teal version
Olive green satin folded softly, the leaf branches reading as a deeper tonal shadow across the surface
A soft crease in the olive satin, the leaf motif visible mainly through the shift in sheen
Olive green Lassi satin draped loosely, suited to buyers wanting an earthy, low-contrast leaf print
Olive colorway shown front and back, both sides reading close in tone with a subtle sheen shift
A wider view of the olive leaf satin laid flat, showing the full branching pattern repeat
Close-up of the mauve-plum leaf colorway, the deepest and most saturated of the three
Mauve-plum satin folded over, the grey leaf branches standing out softly against the warm purple base
A tight fold in the mauve-plum satin, the leaf branches bending with the crease of the fabric
Mauve-plum leaf-pattern satin draped to catch the light, the grey branch motif visible across the fold
Front and back of the mauve-plum colorway, the glossy face deeper in tone than its muted reverse
A wider section of the mauve-plum and grey leaf satin, shown to judge the pattern at full scale
Close-up of the aubergine and sage pansy flower colorway, a high-contrast floral rather than the tonal motifs in this line
Aubergine satin folded over, the sage-green pansy flower silhouette standing out boldly against the deep purple-brown base
A tight fold in the aubergine satin, the sage flower outline bending sharply at the crease
Aubergine pansy flower satin draped to catch the light, the bold petal silhouette visible across the fold
Front and back of the aubergine colorway, the glossy face far more saturated than its muted reverse
A wider cut of the aubergine and sage pansy flower satin, shown to see the full scale of the floral motif
Close detail of the forest green pansy flower colorway, deeper and more dramatic than the aubergine version
Forest green satin folded softly, the pale sage flower outline reading sharply against the darker base
A soft crease in the forest green satin, the flower silhouette breaking across the fold
Forest green pansy flower satin draped loosely, suited to buyers wanting a bold, dark floral statement
Forest green colorway shown front and back, the reverse settling into a quieter olive tone
A wider view of the forest green pansy flower satin laid flat, showing the full floral repeat
Close-up of the navy and silver-grey pansy flower colorway, the coolest-toned option of the three
Navy satin folded over, the silver-grey pansy flower outline standing out crisply against the deep blue base
A tight fold in the navy satin, the silver flower silhouette bending visibly at the crease
Navy pansy flower satin draped to show its glossy movement against the silver-grey petal outline
Front and back of the navy colorway, the glossy face holding a deeper blue than its softer reverse
A wider section of the navy and silver pansy flower satin, shown to judge the bold floral pattern at scale
Close-up of the maroon lily flower colorway, the petal detail including a fine speckled texture rather than a flat silhouette
Maroon satin folded over, the sage-grey lily petals showing a textured speckled fill within the outline
A tight fold in the maroon satin, the lily petal outline bending visibly at the crease
Maroon lily flower satin draped to show its glossy movement against the sage petal detail
Front and reverse of the maroon colorway, the back side muting into a softer brown-grey
A wider cut of the maroon and sage lily flower satin, shown to see the full scale of the floral motif
Close detail of the black lily flower colorway, drawn in a finer line-art style than the maroon version
Black satin folded softly, the sage lily flower line art reading crisply against the deep base
A soft crease in the black satin, the lily outline breaking across the fold
Black lily flower satin draped loosely, suited to buyers wanting a graphic, high-contrast floral
Black colorway shown front and back, the reverse side reading as a deep charcoal rather than true black
A wider view of the black and sage lily flower satin laid flat, showing the full line-art repeat
Close-up of the plum lily flower colorway, the darkest and most saturated of the three
Deep plum satin folded over, the sage lily petals showing the same speckled texture as the maroon colorway in a darker base
A tight fold in the plum satin, the speckled lily petal detail bending with the crease
Plum lily flower satin draped to catch the light, the textured petal fill visible across the fold
Front and back of the plum colorway, the glossy face deeper in tone than its muted reverse
A wider section of the plum and sage lily flower satin, shown to judge the textured floral pattern at scale
Close-up of the wine and sage hibiscus flower colorway, a large-scale bloom rather than a repeating small motif
Wine-toned satin folded over, the sage-grey hibiscus petals standing out boldly against the burgundy base
A tight fold in the wine satin, the hibiscus petal outline bending sharply at the crease
Wine hibiscus flower satin draped to catch the light, the bold petal shape visible across the fold
Front and back of the wine colorway, the glossy face holding more saturation than its muted reverse
A wider cut of the wine and sage hibiscus satin, shown to see the full scale of the bloom
Close detail of the black hibiscus flower colorway, the highest-contrast option of the three
Black satin folded softly, the sage hibiscus petals reading crisply against the deep base
A soft crease in the black satin, the hibiscus outline breaking across the fold
Black hibiscus flower satin draped loosely, suited to buyers wanting a graphic, statement-making floral
Black colorway shown front and back, the reverse side reading as a softer charcoal
A wider view of the black and sage hibiscus satin laid flat, showing the full bloom repeat
Close-up of the eggplant hibiscus flower colorway, cooler and darker in tone than the wine version
Deep eggplant satin folded over, the sage hibiscus petals standing out against the dark purple-black base
A tight fold in the eggplant satin, the petal outline bending with the crease of the fabric
Eggplant hibiscus flower satin draped to show its glossy movement against the sage petal detail
Front and back of the eggplant colorway, the glossy face deeper in tone than its muted reverse
A wider section of the eggplant and sage hibiscus satin, shown to judge the bold floral pattern at scale
Close-up of the teal floral colorway, a finer, more intricate spray motif than the bold hibiscus and pansy designs
Deep teal satin folded over, the delicate botanical spray pattern reading almost entirely through tonal sheen
A soft crease in the teal satin, the floral spray only emerging where the light catches the surface
Teal floral satin draped in loose waves, the delicate tonal motif visible across the moving fabric
Front and reverse of the teal floral colorway, both sides close in tone with a subtle sheen shift
A wider cut of the teal floral satin laid flat, showing the full scale of the spray pattern
Close detail of the taupe floral colorway, suited to buyers wanting a quiet, intricate pattern over a bold one
Taupe-grey satin folded softly, the same delicate floral spray reading warmer than the teal colorway
A gentle fold in the taupe satin, the floral spray catching light unevenly across the crease
Taupe floral satin draped to show its fluid movement, the tonal motif visible mainly through sheen
Taupe colorway shown front and back, the reverse side settling into a slightly cooler grey
A wider view of the taupe floral satin, laid out to show the full intricate spray repeat
Close-up of the slate blue oval lattice colorway, a geometric repeat rather than a floral or organic motif
Slate blue satin folded over, the repeating oval lattice pattern reading as a structured geometric texture
A tight fold in the slate blue satin, the lattice rows bending in step with the crease
Slate blue lattice satin draped to show its glossy movement against the repeating oval texture
Front and reverse of the slate blue colorway, both sides close in tone with a subtle sheen shift
A wider cut of the slate blue oval lattice satin, shown to see the full scale of the geometric repeat
Close detail of the taupe-bronze lattice colorway, suited to buyers wanting a textured neutral
Taupe-bronze satin folded softly, the same oval lattice pattern reading warmer than the slate blue colorway
A soft crease in the taupe-bronze satin, the lattice rows catching light unevenly at the fold
Taupe-bronze lattice satin draped loosely, the geometric texture visible across the moving fabric
Taupe-bronze colorway shown front and back, the reverse settling into a slightly deeper brown
A wider view of the taupe-bronze oval lattice satin laid flat, showing the full repeat
Close-up of the teal-green lattice colorway, the coolest-toned option of the three
Teal-green satin folded over, the oval lattice texture reading cool against the muted green base
A tight fold in the teal-green satin, the lattice rows bending with the crease of the fabric
Teal-green lattice satin draped to catch the light, the geometric texture visible across the fold
Front and back of the teal-green colorway, the glossy face slightly more saturated than its reverse
A wider section of the teal-green oval lattice satin, shown to judge the geometric pattern at scale
Close-up of the brown and sage baroque colorway, an ornate paisley-scroll motif rather than a floral or geometric one
Deep brown satin folded over, the sage-green baroque scrollwork standing out boldly against the dark base
A tight fold in the brown satin, the baroque scrollwork bending sharply at the crease
Brown baroque satin draped to catch the light, the ornate sage pattern visible across the fold
Front and back of the brown colorway, the glossy face far more saturated than its muted reverse
A wider cut of the brown and sage baroque satin, shown to see the full scale of the ornate motif
Close detail of the olive baroque colorway, more understated than the brown and navy versions
Olive green satin folded softly, the baroque scrollwork reading through tonal sheen rather than strong contrast
A soft crease in the olive satin, the scrollwork only emerging where the light catches the surface
Olive baroque satin draped loosely, suited to buyers wanting an ornate pattern without high contrast
Olive colorway shown front and back, both sides reading close in tone with a subtle sheen shift
A wider view of the olive baroque satin laid flat, showing the full scroll pattern repeat
Close-up of the navy and olive-khaki baroque colorway, warmer in tone than the navy-and-grey version
Navy satin folded over, the olive-khaki baroque scrollwork standing out warmly against the deep blue base
A tight fold in the navy satin, the olive-khaki scrollwork bending visibly at the crease
Navy baroque satin draped to show its glossy movement against the olive-khaki scroll pattern
Front and back of the navy and olive-khaki colorway, the glossy face holding more warmth than its muted reverse
A wider section of the navy and olive-khaki baroque satin, shown to judge the ornate pattern at scale
Close-up of the navy and grey baroque colorway, the coolest-toned of the four options in this design
Navy satin folded over, the cool grey baroque scrollwork standing out crisply against the deep blue base
A tight fold in the navy satin, the grey scrollwork bending sharply at the crease
Navy baroque satin draped to catch the light, the cool grey scroll pattern visible across the fold
Front and back of the navy and grey colorway, the glossy face holding a deeper blue than its softer reverse
A wider view of the navy and grey baroque satin laid flat, showing the full scroll pattern repeat
Close-up of the black graphic line colorway, an abstract fractured-splatter motif unlike any other design in this line
Black satin folded over, the sage-olive abstract splatter motif breaking unevenly across the dark base
A tight fold in the black satin, the abstract pattern breaking sharply at the crease
Black graphic line satin draped to catch the light, the irregular splatter motif visible across the fold
Front and back of the black colorway, the glossy face holding more contrast than its muted reverse
A wider cut of the black and sage-olive graphic line satin, shown to see the abstract pattern at scale
Close detail of the navy graphic line colorway, cooler in tone than the black version
Navy satin folded softly, the grey-blue fractured line motif reading as branching abstract shapes
A soft crease in the navy satin, the fractured pattern bending unevenly with the fold
Navy Graphic Line satin jacquard draped loosely, showing the modern abstract woven motif and fluid fall.
Navy colorway shown front and back, the reverse settling into a softer steel-blue
A wider view of the navy and grey-blue graphic line satin laid flat, showing the full abstract repeat
Close-up of the navy-charcoal graphic line colorway, blending cooler and warmer tones in one abstract print
Navy-charcoal satin folded over, the olive-tan splatter motif standing out against the dark blue-grey base
A tight fold in the navy-charcoal satin, the splatter pattern bending with the crease of the fabric
Navy-charcoal graphic line satin draped to show its glossy movement against the olive-tan splatter
Front and back of the navy-charcoal colorway, the glossy face more saturated than its muted reverse
A wider section of the navy-charcoal and olive-tan graphic line satin, shown to judge the abstract pattern at scale
Copper Lassi satin folded over itself, the wave lines shifting between warm copper and cool blue-grey as the light moves
Close-up of the copper and blue-grey wave colorway, the same pairing shown in the main product photography for this fabric
A tight fold in the copper satin, where the blue-grey wave lines bend sharply at the crease
Copper wave-pattern satin draped to show its glossy movement and the contrast of the blue-grey lines
Front and reverse of the copper colorway, the back side settling into a quieter, more matte blue-grey
A wider cut of the copper and blue-grey wave satin, shown unfolded to judge the scale of the repeat
Close detail of the tonal taupe wave colorway, one of the more understated options in this fabric line
Taupe-grey satin folded softly, the wave motif reading almost entirely through sheen since the colorway is tonal
Taupe satin draped in loose waves, the pattern only visible where the fabric catches direct light
A soft crease in the taupe satin showing how subtly the wave lines separate from the base tone
Taupe colorway shown front and back, both sides reading close in tone with only a slight sheen shift
A wider view of the taupe wave satin laid flat, useful for seeing the full tonal pattern repeat
Close-up of the orange-red wave colorway, the highest-contrast option in this fabric's color range
Vivid orange-red satin folded over, with pale ivory wave lines standing out sharply against the bold base color
A tight fold in the orange-red satin, the ivory wave lines bending visibly with the crease
Orange-red Lassi satin draped to catch the light, the contrast lines clearly visible across the moving fabric
Front and back of the orange-red colorway, the glossy face far more saturated than its muted reverse
A wider section of the orange-red and ivory wave satin, shown to give a sense of the full pattern at scale
Close detail of the mauve-plum colorway, a deeper and warmer tonal option than the taupe version
Mauve-plum satin folded gently, the wave lines emerging through tonal sheen rather than strong contrast
A soft fold in the mauve-plum satin, the wave pattern catching light unevenly across the crease
Mauve-plum Lassi satin draped loosely, suited to buyers wanting color depth without high contrast
Front and reverse of the mauve-plum colorway, the back side leaning slightly cooler than the glossy face
A wider cut of the mauve-plum wave satin laid out, showing the full repeat of the tonal pattern
Close-up of the copper and blue-grey animal print, showing the cracked, mottled texture characteristic of this motif
Copper and blue-grey animal print satin folded over, the mottled pattern shifting tone across the crease
A tight fold in the copper animal print satin, the blue-grey patches breaking up unevenly at the crease
Copper animal print satin draped to show its glossy movement against the mottled blue-grey pattern
Front and reverse of the copper animal print colorway, the back side noticeably softer and more matte
A wider cut of the copper and blue-grey animal print satin, useful for seeing the full scale of the motif
Close detail of the tonal taupe animal print, a quieter option than the higher-contrast colorways
Taupe-beige satin folded gently, the animal print pattern reading mostly through subtle tonal sheen
A soft crease in the taupe satin, the mottled pattern only emerging where light catches the fabric directly
Taupe animal print satin draped loosely, suited to buyers wanting texture without strong color contrast
Taupe colorway shown front and back, both sides reading close in tone with a slight sheen difference
A wider view of the taupe animal print satin laid flat, showing the full tonal pattern repeat
Close-up of the burnt orange animal print, the most vivid of the four colorways in this design
Burnt orange satin folded over, the grey-mauve mottled pattern standing out sharply against the bold base
A tight fold in the burnt orange satin, the grey-mauve patches breaking sharply at the crease
Burnt orange animal print satin draped to catch the light, the high-contrast pattern visible across the fold
Front and back of the burnt orange colorway, the glossy face far bolder than its muted reverse side
A wider section of the burnt orange and grey-mauve animal print satin, shown to judge the pattern at scale
Close detail of the mauve-rose animal print colorway, warmer in tone than the taupe version
Mauve-rose satin folded softly, the animal print motif emerging through tonal sheen rather than strong contrast
A gentle fold in the mauve-rose satin, the mottled pattern catching light unevenly across the crease
Mauve-rose Lassi satin draped to show its fluid movement, the pattern visible mainly through sheen shift
Front and reverse of the mauve-rose colorway, the back side settling into a slightly deeper rose tone
A wider cut of the mauve-rose animal print satin laid out, showing the full tonal repeat
Close-up of the seaweed pattern woven into dusty rose stretch satin, visible mainly through sheen rather than color contrast
Dusty rose Lassi satin folded to show how the seaweed motif catches light differently across each curve
Fabric pinched into soft folds, showing how the dusty rose tone holds together even where the satin creases
Dusty rose reversible satin draped loosely, with the seaweed lines emerging as the fabric catches the light
Both sides of the dusty rose Lassi satin side by side, showing the glossy face and its softer matte reverse
A wider cut of dusty rose Seaweed satin jacquard laid flat, showing the overall scale of the woven motif.
Detailed view of the Seaweed jacquard motif in slate blue and warm mauve, showing the two-tone woven contrast.
Slate blue satin folded over itself, with the mauve-toned seaweed lines crossing at different angles in the fold
A tight fold in the slate blue satin, showing where the mauve pattern lines intersect near the crease
Slate blue Lassi satin hanging in soft waves, mauve seaweed lines visible across the moving fabric
Front and reverse of the slate blue colorway, showing how the glossy and matte sides differ in tone
Full width of the slate blue and mauve seaweed satin, shown unfolded to see the repeat of the motif
Close detail of the magenta colorway, where the contrast between bright pink and taupe is the most vivid of the six
Magenta satin gathered into a fold, with taupe seaweed lines running through the brighter pink tone
A soft crease in the magenta satin, showing the taupe pattern lines bending with the fabric
Magenta Lassi satin draped to show its glossy movement, with deeper pink shadow areas visible at the base
Magenta colorway shown front and back, the reverse side noticeably more muted than the glossy face
A wider section of the magenta and taupe seaweed satin, useful for seeing how the colorway reads at a distance
Close-up of the copper and blue-grey colorway, the combination shown in the original product photography for this fabric
Copper-toned satin folded against itself, with the blue-grey seaweed lines crossing through the warm base color
Copper satin pinched into a tight fold, showing how the blue-grey lines hold their shape even where the fabric creases
Copper Lassi satin draped loosely, the blue-grey seaweed motif catching light unevenly across the folds
Front and back of the copper colorway, showing the shift from glossy copper to a softer, matte blue-grey reverse
A wider view of the copper and blue-grey seaweed satin laid out, showing the full scale of the repeat
Close detail of the champagne colorway, the most subtle of the six since the pattern relies entirely on tonal sheen
Pale champagne satin folded softly, the seaweed lines barely visible except where the light catches the sheen
A gentle fold in the champagne satin, showing how understated the seaweed motif reads in this pale tone
Champagne Lassi satin draped in soft waves, suited to buyers wanting a near-solid look with subtle texture
Champagne colorway shown front and back, both sides reading close to neutral with only a slight sheen difference
A wider cut of the champagne seaweed satin, laid flat to show the full tonal pattern repeat
Close-up of the sage colorway, an earthier tone than the other five with warm mauve pattern lines
Sage green satin folded over, with mauve seaweed lines crossing through the muted green-grey base
A tight fold in the sage satin, where the mauve lines bend and cross as the fabric creases
Sage green Lassi satin draped to show its fluid movement, the seaweed lines visible across the curve of the fold
Sage colorway shown front and back, the reverse side shifting toward a deeper olive tone
Wide close-up of sage and mauve Seaweed satin jacquard showing both colour and woven motif scale.
Close-up of the orange-red seaweed colorway, the highest-contrast option among the seaweed designs
Vivid orange-red satin folded over, the ivory seaweed lines standing out sharply against the bold base color
A tight fold in the orange-red satin, the ivory pattern lines bending visibly at the crease
Orange-red seaweed satin draped to catch the light, the high-contrast lines visible across the moving fabric
Front and back of the orange-red colorway, the glossy face far more saturated than its muted reverse
A wider view of the orange-red and ivory seaweed satin, shown to give a sense of the pattern at scale
Close-up of the leaf design in teal and taupe, showing the branching silhouette woven into the satin
Teal Lassi satin folded over, the taupe leaf-and-branch motif curving across the crease
A tight fold in the teal satin, the leaf branches bending visibly at the crease
Teal leaf-pattern satin draped to show its glossy movement against the taupe branch motif
Front and reverse of the teal colorway, the back side settling into a softer seafoam tone
A wider cut of the teal and taupe leaf satin, shown to see the full scale of the branching motif
Close detail of the olive colorway, an earthier and more muted option than the teal version
Olive green satin folded softly, the leaf branches reading as a deeper tonal shadow across the surface
A soft crease in the olive satin, the leaf motif visible mainly through the shift in sheen
Olive green Lassi satin draped loosely, suited to buyers wanting an earthy, low-contrast leaf print
Olive colorway shown front and back, both sides reading close in tone with a subtle sheen shift
A wider view of the olive leaf satin laid flat, showing the full branching pattern repeat
Close-up of the mauve-plum leaf colorway, the deepest and most saturated of the three
Mauve-plum satin folded over, the grey leaf branches standing out softly against the warm purple base
A tight fold in the mauve-plum satin, the leaf branches bending with the crease of the fabric
Mauve-plum leaf-pattern satin draped to catch the light, the grey branch motif visible across the fold
Front and back of the mauve-plum colorway, the glossy face deeper in tone than its muted reverse
A wider section of the mauve-plum and grey leaf satin, shown to judge the pattern at full scale
Close-up of the aubergine and sage pansy flower colorway, a high-contrast floral rather than the tonal motifs in this line
Aubergine satin folded over, the sage-green pansy flower silhouette standing out boldly against the deep purple-brown base
A tight fold in the aubergine satin, the sage flower outline bending sharply at the crease
Aubergine pansy flower satin draped to catch the light, the bold petal silhouette visible across the fold
Front and back of the aubergine colorway, the glossy face far more saturated than its muted reverse
A wider cut of the aubergine and sage pansy flower satin, shown to see the full scale of the floral motif
Close detail of the forest green pansy flower colorway, deeper and more dramatic than the aubergine version
Forest green satin folded softly, the pale sage flower outline reading sharply against the darker base
A soft crease in the forest green satin, the flower silhouette breaking across the fold
Forest green pansy flower satin draped loosely, suited to buyers wanting a bold, dark floral statement
Forest green colorway shown front and back, the reverse settling into a quieter olive tone
A wider view of the forest green pansy flower satin laid flat, showing the full floral repeat
Close-up of the navy and silver-grey pansy flower colorway, the coolest-toned option of the three
Navy satin folded over, the silver-grey pansy flower outline standing out crisply against the deep blue base
A tight fold in the navy satin, the silver flower silhouette bending visibly at the crease
Navy pansy flower satin draped to show its glossy movement against the silver-grey petal outline
Front and back of the navy colorway, the glossy face holding a deeper blue than its softer reverse
A wider section of the navy and silver pansy flower satin, shown to judge the bold floral pattern at scale
Close-up of the maroon lily flower colorway, the petal detail including a fine speckled texture rather than a flat silhouette
Maroon satin folded over, the sage-grey lily petals showing a textured speckled fill within the outline
A tight fold in the maroon satin, the lily petal outline bending visibly at the crease
Maroon lily flower satin draped to show its glossy movement against the sage petal detail
Front and reverse of the maroon colorway, the back side muting into a softer brown-grey
A wider cut of the maroon and sage lily flower satin, shown to see the full scale of the floral motif
Close detail of the black lily flower colorway, drawn in a finer line-art style than the maroon version
Black satin folded softly, the sage lily flower line art reading crisply against the deep base
A soft crease in the black satin, the lily outline breaking across the fold
Black lily flower satin draped loosely, suited to buyers wanting a graphic, high-contrast floral
Black colorway shown front and back, the reverse side reading as a deep charcoal rather than true black
A wider view of the black and sage lily flower satin laid flat, showing the full line-art repeat
Close-up of the plum lily flower colorway, the darkest and most saturated of the three
Deep plum satin folded over, the sage lily petals showing the same speckled texture as the maroon colorway in a darker base
A tight fold in the plum satin, the speckled lily petal detail bending with the crease
Plum lily flower satin draped to catch the light, the textured petal fill visible across the fold
Front and back of the plum colorway, the glossy face deeper in tone than its muted reverse
A wider section of the plum and sage lily flower satin, shown to judge the textured floral pattern at scale
Close-up of the wine and sage hibiscus flower colorway, a large-scale bloom rather than a repeating small motif
Wine-toned satin folded over, the sage-grey hibiscus petals standing out boldly against the burgundy base
A tight fold in the wine satin, the hibiscus petal outline bending sharply at the crease
Wine hibiscus flower satin draped to catch the light, the bold petal shape visible across the fold
Front and back of the wine colorway, the glossy face holding more saturation than its muted reverse
A wider cut of the wine and sage hibiscus satin, shown to see the full scale of the bloom
Close detail of the black hibiscus flower colorway, the highest-contrast option of the three
Black satin folded softly, the sage hibiscus petals reading crisply against the deep base
A soft crease in the black satin, the hibiscus outline breaking across the fold
Black hibiscus flower satin draped loosely, suited to buyers wanting a graphic, statement-making floral
Black colorway shown front and back, the reverse side reading as a softer charcoal
A wider view of the black and sage hibiscus satin laid flat, showing the full bloom repeat
Close-up of the eggplant hibiscus flower colorway, cooler and darker in tone than the wine version
Deep eggplant satin folded over, the sage hibiscus petals standing out against the dark purple-black base
A tight fold in the eggplant satin, the petal outline bending with the crease of the fabric
Eggplant hibiscus flower satin draped to show its glossy movement against the sage petal detail
Front and back of the eggplant colorway, the glossy face deeper in tone than its muted reverse
A wider section of the eggplant and sage hibiscus satin, shown to judge the bold floral pattern at scale
Close-up of the teal floral colorway, a finer, more intricate spray motif than the bold hibiscus and pansy designs
Deep teal satin folded over, the delicate botanical spray pattern reading almost entirely through tonal sheen
A soft crease in the teal satin, the floral spray only emerging where the light catches the surface
Teal floral satin draped in loose waves, the delicate tonal motif visible across the moving fabric
Front and reverse of the teal floral colorway, both sides close in tone with a subtle sheen shift
A wider cut of the teal floral satin laid flat, showing the full scale of the spray pattern
Close detail of the taupe floral colorway, suited to buyers wanting a quiet, intricate pattern over a bold one
Taupe-grey satin folded softly, the same delicate floral spray reading warmer than the teal colorway
A gentle fold in the taupe satin, the floral spray catching light unevenly across the crease
Taupe floral satin draped to show its fluid movement, the tonal motif visible mainly through sheen
Taupe colorway shown front and back, the reverse side settling into a slightly cooler grey
A wider view of the taupe floral satin, laid out to show the full intricate spray repeat
Close-up of the slate blue oval lattice colorway, a geometric repeat rather than a floral or organic motif
Slate blue satin folded over, the repeating oval lattice pattern reading as a structured geometric texture
A tight fold in the slate blue satin, the lattice rows bending in step with the crease
Slate blue lattice satin draped to show its glossy movement against the repeating oval texture
Front and reverse of the slate blue colorway, both sides close in tone with a subtle sheen shift
A wider cut of the slate blue oval lattice satin, shown to see the full scale of the geometric repeat
Close detail of the taupe-bronze lattice colorway, suited to buyers wanting a textured neutral
Taupe-bronze satin folded softly, the same oval lattice pattern reading warmer than the slate blue colorway
A soft crease in the taupe-bronze satin, the lattice rows catching light unevenly at the fold
Taupe-bronze lattice satin draped loosely, the geometric texture visible across the moving fabric
Taupe-bronze colorway shown front and back, the reverse settling into a slightly deeper brown
A wider view of the taupe-bronze oval lattice satin laid flat, showing the full repeat
Close-up of the teal-green lattice colorway, the coolest-toned option of the three
Teal-green satin folded over, the oval lattice texture reading cool against the muted green base
A tight fold in the teal-green satin, the lattice rows bending with the crease of the fabric
Teal-green lattice satin draped to catch the light, the geometric texture visible across the fold
Front and back of the teal-green colorway, the glossy face slightly more saturated than its reverse
A wider section of the teal-green oval lattice satin, shown to judge the geometric pattern at scale
Close-up of the brown and sage baroque colorway, an ornate paisley-scroll motif rather than a floral or geometric one
Deep brown satin folded over, the sage-green baroque scrollwork standing out boldly against the dark base
A tight fold in the brown satin, the baroque scrollwork bending sharply at the crease
Brown baroque satin draped to catch the light, the ornate sage pattern visible across the fold
Front and back of the brown colorway, the glossy face far more saturated than its muted reverse
A wider cut of the brown and sage baroque satin, shown to see the full scale of the ornate motif
Close detail of the olive baroque colorway, more understated than the brown and navy versions
Olive green satin folded softly, the baroque scrollwork reading through tonal sheen rather than strong contrast
A soft crease in the olive satin, the scrollwork only emerging where the light catches the surface
Olive baroque satin draped loosely, suited to buyers wanting an ornate pattern without high contrast
Olive colorway shown front and back, both sides reading close in tone with a subtle sheen shift
A wider view of the olive baroque satin laid flat, showing the full scroll pattern repeat
Close-up of the navy and olive-khaki baroque colorway, warmer in tone than the navy-and-grey version
Navy satin folded over, the olive-khaki baroque scrollwork standing out warmly against the deep blue base
A tight fold in the navy satin, the olive-khaki scrollwork bending visibly at the crease
Navy baroque satin draped to show its glossy movement against the olive-khaki scroll pattern
Front and back of the navy and olive-khaki colorway, the glossy face holding more warmth than its muted reverse
A wider section of the navy and olive-khaki baroque satin, shown to judge the ornate pattern at scale
Close-up of the navy and grey baroque colorway, the coolest-toned of the four options in this design
Navy satin folded over, the cool grey baroque scrollwork standing out crisply against the deep blue base
A tight fold in the navy satin, the grey scrollwork bending sharply at the crease
Navy baroque satin draped to catch the light, the cool grey scroll pattern visible across the fold
Front and back of the navy and grey colorway, the glossy face holding a deeper blue than its softer reverse
A wider view of the navy and grey baroque satin laid flat, showing the full scroll pattern repeat
Close-up of the black graphic line colorway, an abstract fractured-splatter motif unlike any other design in this line
Black satin folded over, the sage-olive abstract splatter motif breaking unevenly across the dark base
A tight fold in the black satin, the abstract pattern breaking sharply at the crease
Black graphic line satin draped to catch the light, the irregular splatter motif visible across the fold
Front and back of the black colorway, the glossy face holding more contrast than its muted reverse
A wider cut of the black and sage-olive graphic line satin, shown to see the abstract pattern at scale
Close detail of the navy graphic line colorway, cooler in tone than the black version
Navy satin folded softly, the grey-blue fractured line motif reading as branching abstract shapes
A soft crease in the navy satin, the fractured pattern bending unevenly with the fold
Navy Graphic Line satin jacquard draped loosely, showing the modern abstract woven motif and fluid fall.
Navy colorway shown front and back, the reverse settling into a softer steel-blue
A wider view of the navy and grey-blue graphic line satin laid flat, showing the full abstract repeat
Close-up of the navy-charcoal graphic line colorway, blending cooler and warmer tones in one abstract print
Navy-charcoal satin folded over, the olive-tan splatter motif standing out against the dark blue-grey base
A tight fold in the navy-charcoal satin, the splatter pattern bending with the crease of the fabric
Navy-charcoal graphic line satin draped to show its glossy movement against the olive-tan splatter
Front and back of the navy-charcoal colorway, the glossy face more saturated than its muted reverse
A wider section of the navy-charcoal and olive-tan graphic line satin, shown to judge the abstract pattern at scale
Copper Lassi satin folded over itself, the wave lines shifting between warm copper and cool blue-grey as the light moves
Close-up of the copper and blue-grey wave colorway, the same pairing shown in the main product photography for this fabric
A tight fold in the copper satin, where the blue-grey wave lines bend sharply at the crease
Copper wave-pattern satin draped to show its glossy movement and the contrast of the blue-grey lines
Front and reverse of the copper colorway, the back side settling into a quieter, more matte blue-grey
A wider cut of the copper and blue-grey wave satin, shown unfolded to judge the scale of the repeat
Close detail of the tonal taupe wave colorway, one of the more understated options in this fabric line
Taupe-grey satin folded softly, the wave motif reading almost entirely through sheen since the colorway is tonal
Taupe satin draped in loose waves, the pattern only visible where the fabric catches direct light
A soft crease in the taupe satin showing how subtly the wave lines separate from the base tone
Taupe colorway shown front and back, both sides reading close in tone with only a slight sheen shift
A wider view of the taupe wave satin laid flat, useful for seeing the full tonal pattern repeat
Close-up of the orange-red wave colorway, the highest-contrast option in this fabric's color range
Vivid orange-red satin folded over, with pale ivory wave lines standing out sharply against the bold base color
A tight fold in the orange-red satin, the ivory wave lines bending visibly with the crease
Orange-red Lassi satin draped to catch the light, the contrast lines clearly visible across the moving fabric
Front and back of the orange-red colorway, the glossy face far more saturated than its muted reverse
A wider section of the orange-red and ivory wave satin, shown to give a sense of the full pattern at scale
Close detail of the mauve-plum colorway, a deeper and warmer tonal option than the taupe version
Mauve-plum satin folded gently, the wave lines emerging through tonal sheen rather than strong contrast
A soft fold in the mauve-plum satin, the wave pattern catching light unevenly across the crease
Mauve-plum Lassi satin draped loosely, suited to buyers wanting color depth without high contrast
Front and reverse of the mauve-plum colorway, the back side leaning slightly cooler than the glossy face
A wider cut of the mauve-plum wave satin laid out, showing the full repeat of the tonal pattern
Close-up of the copper and blue-grey animal print, showing the cracked, mottled texture characteristic of this motif
Copper and blue-grey animal print satin folded over, the mottled pattern shifting tone across the crease
A tight fold in the copper animal print satin, the blue-grey patches breaking up unevenly at the crease
Copper animal print satin draped to show its glossy movement against the mottled blue-grey pattern
Front and reverse of the copper animal print colorway, the back side noticeably softer and more matte
A wider cut of the copper and blue-grey animal print satin, useful for seeing the full scale of the motif
Close detail of the tonal taupe animal print, a quieter option than the higher-contrast colorways
Taupe-beige satin folded gently, the animal print pattern reading mostly through subtle tonal sheen
A soft crease in the taupe satin, the mottled pattern only emerging where light catches the fabric directly
Taupe animal print satin draped loosely, suited to buyers wanting texture without strong color contrast
Taupe colorway shown front and back, both sides reading close in tone with a slight sheen difference
A wider view of the taupe animal print satin laid flat, showing the full tonal pattern repeat
Close-up of the burnt orange animal print, the most vivid of the four colorways in this design
Burnt orange satin folded over, the grey-mauve mottled pattern standing out sharply against the bold base
A tight fold in the burnt orange satin, the grey-mauve patches breaking sharply at the crease
Burnt orange animal print satin draped to catch the light, the high-contrast pattern visible across the fold
Front and back of the burnt orange colorway, the glossy face far bolder than its muted reverse side
A wider section of the burnt orange and grey-mauve animal print satin, shown to judge the pattern at scale
Close detail of the mauve-rose animal print colorway, warmer in tone than the taupe version
Mauve-rose satin folded softly, the animal print motif emerging through tonal sheen rather than strong contrast
A gentle fold in the mauve-rose satin, the mottled pattern catching light unevenly across the crease
Mauve-rose Lassi satin draped to show its fluid movement, the pattern visible mainly through sheen shift
Front and reverse of the mauve-rose colorway, the back side settling into a slightly deeper rose tone
A wider cut of the mauve-rose animal print satin laid out, showing the full tonal repeat
Close-up of the seaweed pattern woven into dusty rose stretch satin, visible mainly through sheen rather than color contrast
Dusty rose Lassi satin folded to show how the seaweed motif catches light differently across each curve
Fabric pinched into soft folds, showing how the dusty rose tone holds together even where the satin creases
Dusty rose reversible satin draped loosely, with the seaweed lines emerging as the fabric catches the light
Both sides of the dusty rose Lassi satin side by side, showing the glossy face and its softer matte reverse
A wider cut of dusty rose Seaweed satin jacquard laid flat, showing the overall scale of the woven motif.
Detailed view of the Seaweed jacquard motif in slate blue and warm mauve, showing the two-tone woven contrast.
Slate blue satin folded over itself, with the mauve-toned seaweed lines crossing at different angles in the fold
A tight fold in the slate blue satin, showing where the mauve pattern lines intersect near the crease
Slate blue Lassi satin hanging in soft waves, mauve seaweed lines visible across the moving fabric
Front and reverse of the slate blue colorway, showing how the glossy and matte sides differ in tone
Full width of the slate blue and mauve seaweed satin, shown unfolded to see the repeat of the motif
Close detail of the magenta colorway, where the contrast between bright pink and taupe is the most vivid of the six
Magenta satin gathered into a fold, with taupe seaweed lines running through the brighter pink tone
A soft crease in the magenta satin, showing the taupe pattern lines bending with the fabric
Magenta Lassi satin draped to show its glossy movement, with deeper pink shadow areas visible at the base
Magenta colorway shown front and back, the reverse side noticeably more muted than the glossy face
A wider section of the magenta and taupe seaweed satin, useful for seeing how the colorway reads at a distance
Close-up of the copper and blue-grey colorway, the combination shown in the original product photography for this fabric
Copper-toned satin folded against itself, with the blue-grey seaweed lines crossing through the warm base color
Copper satin pinched into a tight fold, showing how the blue-grey lines hold their shape even where the fabric creases
Copper Lassi satin draped loosely, the blue-grey seaweed motif catching light unevenly across the folds
Front and back of the copper colorway, showing the shift from glossy copper to a softer, matte blue-grey reverse
A wider view of the copper and blue-grey seaweed satin laid out, showing the full scale of the repeat
Close detail of the champagne colorway, the most subtle of the six since the pattern relies entirely on tonal sheen
Pale champagne satin folded softly, the seaweed lines barely visible except where the light catches the sheen
A gentle fold in the champagne satin, showing how understated the seaweed motif reads in this pale tone
Champagne Lassi satin draped in soft waves, suited to buyers wanting a near-solid look with subtle texture
Champagne colorway shown front and back, both sides reading close to neutral with only a slight sheen difference
A wider cut of the champagne seaweed satin, laid flat to show the full tonal pattern repeat
Close-up of the sage colorway, an earthier tone than the other five with warm mauve pattern lines
Sage green satin folded over, with mauve seaweed lines crossing through the muted green-grey base
A tight fold in the sage satin, where the mauve lines bend and cross as the fabric creases
Sage green Lassi satin draped to show its fluid movement, the seaweed lines visible across the curve of the fold
Sage colorway shown front and back, the reverse side shifting toward a deeper olive tone
Wide close-up of sage and mauve Seaweed satin jacquard showing both colour and woven motif scale.
Close-up of the orange-red seaweed colorway, the highest-contrast option among the seaweed designs
Vivid orange-red satin folded over, the ivory seaweed lines standing out sharply against the bold base color
A tight fold in the orange-red satin, the ivory pattern lines bending visibly at the crease
Orange-red seaweed satin draped to catch the light, the high-contrast lines visible across the moving fabric
Front and back of the orange-red colorway, the glossy face far more saturated than its muted reverse
A wider view of the orange-red and ivory seaweed satin, shown to give a sense of the pattern at scale
Close-up of the leaf design in teal and taupe, showing the branching silhouette woven into the satin
Teal Lassi satin folded over, the taupe leaf-and-branch motif curving across the crease
A tight fold in the teal satin, the leaf branches bending visibly at the crease
Teal leaf-pattern satin draped to show its glossy movement against the taupe branch motif
Front and reverse of the teal colorway, the back side settling into a softer seafoam tone
A wider cut of the teal and taupe leaf satin, shown to see the full scale of the branching motif
Close detail of the olive colorway, an earthier and more muted option than the teal version
Olive green satin folded softly, the leaf branches reading as a deeper tonal shadow across the surface
A soft crease in the olive satin, the leaf motif visible mainly through the shift in sheen
Olive green Lassi satin draped loosely, suited to buyers wanting an earthy, low-contrast leaf print
Olive colorway shown front and back, both sides reading close in tone with a subtle sheen shift
A wider view of the olive leaf satin laid flat, showing the full branching pattern repeat
Close-up of the mauve-plum leaf colorway, the deepest and most saturated of the three
Mauve-plum satin folded over, the grey leaf branches standing out softly against the warm purple base
A tight fold in the mauve-plum satin, the leaf branches bending with the crease of the fabric
Mauve-plum leaf-pattern satin draped to catch the light, the grey branch motif visible across the fold
Front and back of the mauve-plum colorway, the glossy face deeper in tone than its muted reverse
A wider section of the mauve-plum and grey leaf satin, shown to judge the pattern at full scale
Close-up of the aubergine and sage pansy flower colorway, a high-contrast floral rather than the tonal motifs in this line
Aubergine satin folded over, the sage-green pansy flower silhouette standing out boldly against the deep purple-brown base
A tight fold in the aubergine satin, the sage flower outline bending sharply at the crease
Aubergine pansy flower satin draped to catch the light, the bold petal silhouette visible across the fold
Front and back of the aubergine colorway, the glossy face far more saturated than its muted reverse
A wider cut of the aubergine and sage pansy flower satin, shown to see the full scale of the floral motif
Close detail of the forest green pansy flower colorway, deeper and more dramatic than the aubergine version
Forest green satin folded softly, the pale sage flower outline reading sharply against the darker base
A soft crease in the forest green satin, the flower silhouette breaking across the fold
Forest green pansy flower satin draped loosely, suited to buyers wanting a bold, dark floral statement
Forest green colorway shown front and back, the reverse settling into a quieter olive tone
A wider view of the forest green pansy flower satin laid flat, showing the full floral repeat
Close-up of the navy and silver-grey pansy flower colorway, the coolest-toned option of the three
Navy satin folded over, the silver-grey pansy flower outline standing out crisply against the deep blue base
A tight fold in the navy satin, the silver flower silhouette bending visibly at the crease
Navy pansy flower satin draped to show its glossy movement against the silver-grey petal outline
Front and back of the navy colorway, the glossy face holding a deeper blue than its softer reverse
A wider section of the navy and silver pansy flower satin, shown to judge the bold floral pattern at scale
Close-up of the maroon lily flower colorway, the petal detail including a fine speckled texture rather than a flat silhouette
Maroon satin folded over, the sage-grey lily petals showing a textured speckled fill within the outline
A tight fold in the maroon satin, the lily petal outline bending visibly at the crease
Maroon lily flower satin draped to show its glossy movement against the sage petal detail
Front and reverse of the maroon colorway, the back side muting into a softer brown-grey
A wider cut of the maroon and sage lily flower satin, shown to see the full scale of the floral motif
Close detail of the black lily flower colorway, drawn in a finer line-art style than the maroon version
Black satin folded softly, the sage lily flower line art reading crisply against the deep base
A soft crease in the black satin, the lily outline breaking across the fold
Black lily flower satin draped loosely, suited to buyers wanting a graphic, high-contrast floral
Black colorway shown front and back, the reverse side reading as a deep charcoal rather than true black
A wider view of the black and sage lily flower satin laid flat, showing the full line-art repeat
Close-up of the plum lily flower colorway, the darkest and most saturated of the three
Deep plum satin folded over, the sage lily petals showing the same speckled texture as the maroon colorway in a darker base
A tight fold in the plum satin, the speckled lily petal detail bending with the crease
Plum lily flower satin draped to catch the light, the textured petal fill visible across the fold
Front and back of the plum colorway, the glossy face deeper in tone than its muted reverse
A wider section of the plum and sage lily flower satin, shown to judge the textured floral pattern at scale
Close-up of the wine and sage hibiscus flower colorway, a large-scale bloom rather than a repeating small motif
Wine-toned satin folded over, the sage-grey hibiscus petals standing out boldly against the burgundy base
A tight fold in the wine satin, the hibiscus petal outline bending sharply at the crease
Wine hibiscus flower satin draped to catch the light, the bold petal shape visible across the fold
Front and back of the wine colorway, the glossy face holding more saturation than its muted reverse
A wider cut of the wine and sage hibiscus satin, shown to see the full scale of the bloom
Close detail of the black hibiscus flower colorway, the highest-contrast option of the three
Black satin folded softly, the sage hibiscus petals reading crisply against the deep base
A soft crease in the black satin, the hibiscus outline breaking across the fold
Black hibiscus flower satin draped loosely, suited to buyers wanting a graphic, statement-making floral
Black colorway shown front and back, the reverse side reading as a softer charcoal
A wider view of the black and sage hibiscus satin laid flat, showing the full bloom repeat
Close-up of the eggplant hibiscus flower colorway, cooler and darker in tone than the wine version
Deep eggplant satin folded over, the sage hibiscus petals standing out against the dark purple-black base
A tight fold in the eggplant satin, the petal outline bending with the crease of the fabric
Eggplant hibiscus flower satin draped to show its glossy movement against the sage petal detail
Front and back of the eggplant colorway, the glossy face deeper in tone than its muted reverse
A wider section of the eggplant and sage hibiscus satin, shown to judge the bold floral pattern at scale
Close-up of the teal floral colorway, a finer, more intricate spray motif than the bold hibiscus and pansy designs
Deep teal satin folded over, the delicate botanical spray pattern reading almost entirely through tonal sheen
A soft crease in the teal satin, the floral spray only emerging where the light catches the surface
Teal floral satin draped in loose waves, the delicate tonal motif visible across the moving fabric
Front and reverse of the teal floral colorway, both sides close in tone with a subtle sheen shift
A wider cut of the teal floral satin laid flat, showing the full scale of the spray pattern
Close detail of the taupe floral colorway, suited to buyers wanting a quiet, intricate pattern over a bold one
Taupe-grey satin folded softly, the same delicate floral spray reading warmer than the teal colorway
A gentle fold in the taupe satin, the floral spray catching light unevenly across the crease
Taupe floral satin draped to show its fluid movement, the tonal motif visible mainly through sheen
Taupe colorway shown front and back, the reverse side settling into a slightly cooler grey
A wider view of the taupe floral satin, laid out to show the full intricate spray repeat
Close-up of the slate blue oval lattice colorway, a geometric repeat rather than a floral or organic motif
Slate blue satin folded over, the repeating oval lattice pattern reading as a structured geometric texture
A tight fold in the slate blue satin, the lattice rows bending in step with the crease
Slate blue lattice satin draped to show its glossy movement against the repeating oval texture
Front and reverse of the slate blue colorway, both sides close in tone with a subtle sheen shift
A wider cut of the slate blue oval lattice satin, shown to see the full scale of the geometric repeat
Close detail of the taupe-bronze lattice colorway, suited to buyers wanting a textured neutral
Taupe-bronze satin folded softly, the same oval lattice pattern reading warmer than the slate blue colorway
A soft crease in the taupe-bronze satin, the lattice rows catching light unevenly at the fold
Taupe-bronze lattice satin draped loosely, the geometric texture visible across the moving fabric
Taupe-bronze colorway shown front and back, the reverse settling into a slightly deeper brown
A wider view of the taupe-bronze oval lattice satin laid flat, showing the full repeat
Close-up of the teal-green lattice colorway, the coolest-toned option of the three
Teal-green satin folded over, the oval lattice texture reading cool against the muted green base
A tight fold in the teal-green satin, the lattice rows bending with the crease of the fabric
Teal-green lattice satin draped to catch the light, the geometric texture visible across the fold
Front and back of the teal-green colorway, the glossy face slightly more saturated than its reverse
A wider section of the teal-green oval lattice satin, shown to judge the geometric pattern at scale
Close-up of the brown and sage baroque colorway, an ornate paisley-scroll motif rather than a floral or geometric one
Deep brown satin folded over, the sage-green baroque scrollwork standing out boldly against the dark base
A tight fold in the brown satin, the baroque scrollwork bending sharply at the crease
Brown baroque satin draped to catch the light, the ornate sage pattern visible across the fold
Front and back of the brown colorway, the glossy face far more saturated than its muted reverse
A wider cut of the brown and sage baroque satin, shown to see the full scale of the ornate motif
Close detail of the olive baroque colorway, more understated than the brown and navy versions
Olive green satin folded softly, the baroque scrollwork reading through tonal sheen rather than strong contrast
A soft crease in the olive satin, the scrollwork only emerging where the light catches the surface
Olive baroque satin draped loosely, suited to buyers wanting an ornate pattern without high contrast
Olive colorway shown front and back, both sides reading close in tone with a subtle sheen shift
A wider view of the olive baroque satin laid flat, showing the full scroll pattern repeat
Close-up of the navy and olive-khaki baroque colorway, warmer in tone than the navy-and-grey version
Navy satin folded over, the olive-khaki baroque scrollwork standing out warmly against the deep blue base
A tight fold in the navy satin, the olive-khaki scrollwork bending visibly at the crease
Navy baroque satin draped to show its glossy movement against the olive-khaki scroll pattern
Front and back of the navy and olive-khaki colorway, the glossy face holding more warmth than its muted reverse
A wider section of the navy and olive-khaki baroque satin, shown to judge the ornate pattern at scale
Close-up of the navy and grey baroque colorway, the coolest-toned of the four options in this design
Navy satin folded over, the cool grey baroque scrollwork standing out crisply against the deep blue base
A tight fold in the navy satin, the grey scrollwork bending sharply at the crease
Navy baroque satin draped to catch the light, the cool grey scroll pattern visible across the fold
Front and back of the navy and grey colorway, the glossy face holding a deeper blue than its softer reverse
A wider view of the navy and grey baroque satin laid flat, showing the full scroll pattern repeat
Close-up of the black graphic line colorway, an abstract fractured-splatter motif unlike any other design in this line
Black satin folded over, the sage-olive abstract splatter motif breaking unevenly across the dark base
A tight fold in the black satin, the abstract pattern breaking sharply at the crease
Black graphic line satin draped to catch the light, the irregular splatter motif visible across the fold
Front and back of the black colorway, the glossy face holding more contrast than its muted reverse
A wider cut of the black and sage-olive graphic line satin, shown to see the abstract pattern at scale
Close detail of the navy graphic line colorway, cooler in tone than the black version
Navy satin folded softly, the grey-blue fractured line motif reading as branching abstract shapes
A soft crease in the navy satin, the fractured pattern bending unevenly with the fold
Navy Graphic Line satin jacquard draped loosely, showing the modern abstract woven motif and fluid fall.
Navy colorway shown front and back, the reverse settling into a softer steel-blue
A wider view of the navy and grey-blue graphic line satin laid flat, showing the full abstract repeat
Close-up of the navy-charcoal graphic line colorway, blending cooler and warmer tones in one abstract print
Navy-charcoal satin folded over, the olive-tan splatter motif standing out against the dark blue-grey base
A tight fold in the navy-charcoal satin, the splatter pattern bending with the crease of the fabric
Navy-charcoal graphic line satin draped to show its glossy movement against the olive-tan splatter
Front and back of the navy-charcoal colorway, the glossy face more saturated than its muted reverse
A wider section of the navy-charcoal and olive-tan graphic line satin, shown to judge the abstract pattern at scale

Reversible Two-Tone Stretch Satin Jacquard Fabric

$34.00 / Meter
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Meters: Minimum cut 1 m
m
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Reversible Two-Tone Stretch Satin Jacquard Fabric has a front-and-back finish where shine and matte texture trade places from one side to the other. On the face, the floss satin base carries a glossy sheen while the woven motif sits matte against it; flip the fabric over and that relationship reverses, with the motif catching the gloss and the ground turning matte.

With two-way stretch and a soft, fluid hand, it behaves closer to a fashion satin than a structured jacquard. The design range includes Wave, Animal Motif, Seaweed, Leaf, Pansy Flower, Lily Flower, Hibiscus Flower, Floral, Oval Lattice, Baroque and Graphic Line directions across tonal and high-contrast colourways.

Use it for structured-yet-fluid dresses, eveningwear, skirts, fitted garments and statement pieces where either side of the fabric can be used in construction. Made in Türkiye. Order a swatch to feel the stretch and reversible finish before cutting or production.

Product Specifications

Fabric type Reversible two-tone stretch satin jacquard
Composition 64% Rayon, 34% Polyester, 2% Elastane
Fabric width 130 cm
Weight 210 GSM
Weight class Midweight
Stretch 2-way
Transparency Opaque
Drape Fluid
Hand feel Smooth satin hand with gentle two way stretch
Texture Reversible two tone satin jacquard weave
Finish Reversible glossy-matte satin jacquard finish
Fabric structure Woven
Shrinkage Minimal shrinkage expected, but test a swatch before production.
Sold by Meter | Swatch | Wholesale
Minimum cut 1.0 m
Wholesale MOQ 25 m
Season All season | Spring | Autumn | Summer | Winter
Origin Türkiye
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Quick answers

What buyers ask before ordering

How can I use both sides of this reversible satin jacquard in one garment?

Both faces are intended to be usable: the relationship between glossy and matte areas reverses from one side to the other. Designers can use one face for the main body and the reverse for cuffs, lapels, panels, belts or other contrast details after comparing the selected colourway in real light.

How much stretch does this fabric have?

The product is specified as 2-way stretch and contains 2% elastane. Test the actual extension and recovery of a swatch before reducing pattern ease, because it remains a woven satin jacquard rather than a high-stretch knit.

Is it suitable for a fitted dress?

Yes for fitted or semi-fitted woven designs when the pattern is tested against the fabric's actual 2-way stretch and recovery. Closures, seams and ease should still be planned as for a stretch woven, not a bodycon jersey.

What does 210 GSM mean for the finished garment?

210 GSM gives it midweight body while the satin construction remains fluid. It can support dresses, skirts, fitted separates and occasionwear without behaving like a very lightweight satin or a heavy brocade.

Is the fabric opaque?

Yes. It is specified as opaque in normal wear, making it suitable for garments where direct coverage is important.

Which design families are available?

The live range includes Wave, Animal Motif, Seaweed, Leaf, Pansy Flower, Lily Flower, Hibiscus Flower, Floral, Oval Lattice, Baroque and Graphic Line directions.

Should I decide the main face before cutting?

Yes. Compare both sides under the intended lighting, then mark the chosen face and top direction on every pattern piece so sheen and motif orientation remain intentional throughout the garment.

Can I mix the two faces without the garment looking mismatched?

Yes when planned deliberately. The reverse uses the same woven construction with the shine/matte relationship flipped, so it can create coordinated contrast rather than introducing an unrelated fabric.

How does the 130 cm width affect cutting?

A 130 cm width is narrower than many 145–150 cm dress fabrics, so check pattern layout carefully before ordering. Fitted dresses, full skirts, large sleeves and motif matching can increase meterage.

Do I need to match the jacquard motif across seams?

For prominent motifs or symmetrical panels, review the repeat before cutting and decide where matching improves the finished garment. Exact matching can increase fabric consumption.

How will the glossy and matte areas look in photography?

The two faces and woven motifs respond differently to directional light. Test a swatch under your studio, daylight or event lighting to decide which side photographs best for the intended garment.

What should I test before sewing?

Test stretch recovery, needle size, seam finish, pressing, motif placement and both fabric faces on a swatch before production. Avoid repeated unpicking in visible satin areas where needle marks could remain.

Will repeat orders match exactly?

Small colour, sheen and weaving differences can occur between production batches. For coordinated sets or repeat wholesale production, order the expected quantity together or compare a current swatch before reordering.

Is it suitable for a coordinated boutique collection?

Yes. The shared 210 GSM, 130 cm, reversible stretch base supports several motifs and colourways, allowing a collection to vary surface design while keeping similar construction behaviour. Sample the chosen variants together first.

When should I choose another fabric instead?

Choose a high-stretch knit when substantial elasticity is essential, a non-stretch jacquard for firmer tailored structure, or a plain stretch satin when you want the same type of smooth movement without a woven motif.

Organic

Non-toxic

Responsible

Lab verified

Breathability

3/5

Sweat handling

3/5

Layering

5/5

Sun protection

3/5

Softness

8/10

Drape

8/10

Sheen

10/10

Wrinkle resistance

7/10
Fabric care

Before cutting or sewing this reversible stretch satin jacquard, test a swatch for washing, steaming, pressing, stretch recovery and sheen. Because the fabric is double-faced and stretch woven, check both sides before deciding the garment face.

  • Test first Test washing, steaming, pressing and stretch recovery on a small piece before cutting the full fabric.
  • Reversible face Choose the main face before cutting and check colour direction, sheen and motif placement.
  • Wash Use cold gentle handling or dry clean if you want the safest route for the finished garment.
  • Dry Do not tumble dry. Air dry gently in shade and avoid strong wringing or twisting.
  • Iron Press from the reverse side with a pressing cloth, using low heat and light pressure.
  • Cutting Let the fabric relax flat before cutting so the stretch and grain settle properly.

General care guidance only. Results may vary by colour, stretch, satin sheen, steam, water quality and garment construction.

Fabric comparison
Compare to Single-face printed satin

Printed satin creates its main motif through surface colour and is usually designed around one primary face, while this product is a reversible woven jacquard with 2-way stretch.

This fabric is better when

  • Both faces can be incorporated deliberately into garment construction.
  • The woven motif adds structural surface pattern rather than relying only on a print layer.

Single-face printed satin is better when

  • Choose printed satin when detailed multicolour imagery or a custom graphic print is more important than reversible woven texture.
Best choice: Choose this fabric for reversible woven design and printed satin for image-led surface graphics.
Compare to Non-stretch woven jacquard

A non-stretch jacquard offers stable woven structure, while this fabric contains 2% elastane and is specified with 2-way stretch.

This fabric is better when

  • The measured product category supports fitted and semi-fitted woven silhouettes with some give.
  • The reversible satin finish provides two coordinated surface options in one cloth.

Non-stretch woven jacquard is better when

  • Choose a non-stretch jacquard when firm stability and predictable zero-stretch construction are more important than flexibility.
Best choice: Choose this reversible satin for stretch-woven flexibility and non-stretch jacquard for firmer stable construction.
Compare to Plain stretch satin

Both can provide smooth movement and stretch, but plain stretch satin has no woven jacquard motif or reversible patterned effect.

This fabric is better when

  • The woven designs add visual interest without requiring a separate print.
  • The glossy-matte relationship reverses between faces for additional design options.

Plain stretch satin is better when

  • Choose plain stretch satin when a solid unpatterned surface is easier to coordinate across garments and accessories.
Best choice: Choose this jacquard when the woven motif and reversible face are part of the design; choose plain satin for a cleaner solid base.
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