Copper Lassi satin folded over itself, the wave lines shifting between warm copper and cool blue-grey as the light moves

Close-up of the copper and blue-grey wave colorway, the same pairing shown in the main product photography for this fabric

A tight fold in the copper satin, where the blue-grey wave lines bend sharply at the crease

Copper wave-pattern satin draped to show its glossy movement and the contrast of the blue-grey lines

Front and reverse of the copper colorway, the back side settling into a quieter, more matte blue-grey

A wider cut of the copper and blue-grey wave satin, shown unfolded to judge the scale of the repeat

Taupe-grey satin folded softly, the wave motif reading almost entirely through sheen since the colorway is tonal

Close detail of the tonal taupe wave colorway, one of the more understated options in this fabric line

Taupe satin draped in loose waves, the pattern only visible where the fabric catches direct light

A soft crease in the taupe satin showing how subtly the wave lines separate from the base tone

Taupe colorway shown front and back, both sides reading close in tone with only a slight sheen shift

A wider view of the taupe wave satin laid flat, useful for seeing the full tonal pattern repeat

Vivid orange-red satin folded over, with pale ivory wave lines standing out sharply against the bold base color

Close-up of the orange-red wave colorway, the highest-contrast option in this fabric's color range

A tight fold in the orange-red satin, the ivory wave lines bending visibly with the crease

Orange-red Lassi satin draped to catch the light, the contrast lines clearly visible across the moving fabric

Front and back of the orange-red colorway, the glossy face far more saturated than its muted reverse

A wider section of the orange-red and ivory wave satin, shown to give a sense of the full pattern at scale

Mauve-plum satin folded gently, the wave lines emerging through tonal sheen rather than strong contrast

Close detail of the mauve-plum colorway, a deeper and warmer tonal option than the taupe version

A soft fold in the mauve-plum satin, the wave pattern catching light unevenly across the crease

Mauve-plum Lassi satin draped loosely, suited to buyers wanting color depth without high contrast

Front and reverse of the mauve-plum colorway, the back side leaning slightly cooler than the glossy face

A wider cut of the mauve-plum wave satin laid out, showing the full repeat of the tonal pattern

Copper and blue-grey animal print satin folded over, the mottled pattern shifting tone across the crease

Close-up of the copper and blue-grey animal print, showing the cracked, mottled texture characteristic of this motif

A tight fold in the copper animal print satin, the blue-grey patches breaking up unevenly at the crease

Copper animal print satin draped to show its glossy movement against the mottled blue-grey pattern

Front and reverse of the copper animal print colorway, the back side noticeably softer and more matte

A wider cut of the copper and blue-grey animal print satin, useful for seeing the full scale of the motif

Taupe-beige satin folded gently, the animal print pattern reading mostly through subtle tonal sheen

Close detail of the tonal taupe animal print, a quieter option than the higher-contrast colorways

A soft crease in the taupe satin, the mottled pattern only emerging where light catches the fabric directly

Taupe animal print satin draped loosely, suited to buyers wanting texture without strong color contrast

Taupe colorway shown front and back, both sides reading close in tone with a slight sheen difference

A wider view of the taupe animal print satin laid flat, showing the full tonal pattern repeat

Burnt orange satin folded over, the grey-mauve mottled pattern standing out sharply against the bold base

Close-up of the burnt orange animal print, the most vivid of the four colorways in this design

A tight fold in the burnt orange satin, the grey-mauve patches breaking sharply at the crease

Burnt orange animal print satin draped to catch the light, the high-contrast pattern visible across the fold

Front and back of the burnt orange colorway, the glossy face far bolder than its muted reverse side

A wider section of the burnt orange and grey-mauve animal print satin, shown to judge the pattern at scale

Mauve-rose satin folded softly, the animal print motif emerging through tonal sheen rather than strong contrast

A gentle fold in the mauve-rose satin, the mottled pattern catching light unevenly across the crease

Mauve-rose Lassi satin draped to show its fluid movement, the pattern visible mainly through sheen shift

Front and reverse of the mauve-rose colorway, the back side settling into a slightly deeper rose tone

A wider cut of the mauve-rose animal print satin laid out, showing the full tonal repeat

Close detail of the mauve-rose animal print colorway, warmer in tone than the taupe version

Dusty rose Lassi satin folded to show how the seaweed motif catches light differently across each curve

Close-up of the seaweed pattern woven into dusty rose stretch satin, visible mainly through sheen rather than color contrast

Fabric pinched into soft folds, showing how the dusty rose tone holds together even where the satin creases

Dusty rose reversible satin draped loosely, with the seaweed lines emerging as the fabric catches the light

Both sides of the dusty rose Lassi satin side by side, showing the glossy face and its softer matte reverse

A wider cut of dusty rose seaweed-pattern satin laid flat, useful for judging the overall scale of the print

Slate blue satin folded over itself, with the mauve-toned seaweed lines crossing at different angles in the fold

Detailed view of the seaweed print in slate blue and warm mauve, a stronger two-tone contrast than the tonal colorways

A tight fold in the slate blue satin, showing where the mauve pattern lines intersect near the crease

Slate blue Lassi satin hanging in soft waves, mauve seaweed lines visible across the moving fabric

Front and reverse of the slate blue colorway, showing how the glossy and matte sides differ in tone

Full width of the slate blue and mauve seaweed satin, shown unfolded to see the repeat of the motif

Magenta satin gathered into a fold, with taupe seaweed lines running through the brighter pink tone

Close detail of the magenta colorway, where the contrast between bright pink and taupe is the most vivid of the six

A soft crease in the magenta satin, showing the taupe pattern lines bending with the fabric

Magenta Lassi satin draped to show its glossy movement, with deeper pink shadow areas visible at the base

Magenta colorway shown front and back, the reverse side noticeably more muted than the glossy face

A wider section of the magenta and taupe seaweed satin, useful for seeing how the colorway reads at a distance

Copper-toned satin folded against itself, with the blue-grey seaweed lines crossing through the warm base color

Close-up of the copper and blue-grey colorway, the combination shown in the original product photography for this fabric

Copper satin pinched into a tight fold, showing how the blue-grey lines hold their shape even where the fabric creases

Copper Lassi satin draped loosely, the blue-grey seaweed motif catching light unevenly across the folds

Front and back of the copper colorway, showing the shift from glossy copper to a softer, matte blue-grey reverse

A wider view of the copper and blue-grey seaweed satin laid out, showing the full scale of the repeat

Pale champagne satin folded softly, the seaweed lines barely visible except where the light catches the sheen

Close detail of the champagne colorway, the most subtle of the six since the pattern relies entirely on tonal sheen

A gentle fold in the champagne satin, showing how understated the seaweed motif reads in this pale tone

Champagne Lassi satin draped in soft waves, suited to buyers wanting a near-solid look with subtle texture

Champagne colorway shown front and back, both sides reading close to neutral with only a slight sheen difference

A wider cut of the champagne seaweed satin, laid flat to show the full tonal pattern repeat

Sage green satin folded over, with mauve seaweed lines crossing through the muted green-grey base

Close-up of the sage colorway, an earthier tone than the other five with warm mauve pattern lines

A tight fold in the sage satin, where the mauve lines bend and cross as the fabric creases

Sage green Lassi satin draped to show its fluid movement, the seaweed lines visible across the curve of the fold

Sage colorway shown front and back, the reverse side shifting toward a deeper olive tone

A wider close view of the sage and mauve seaweed satin, useful for seeing both the color and the scale of the print together

Vivid orange-red satin folded over, the ivory seaweed lines standing out sharply against the bold base color

Close-up of the orange-red seaweed colorway, the highest-contrast option among the seaweed designs

A tight fold in the orange-red satin, the ivory pattern lines bending visibly at the crease

Orange-red seaweed satin draped to catch the light, the high-contrast lines visible across the moving fabric

A wider view of the orange-red and ivory seaweed satin, shown to give a sense of the pattern at scale

Teal Lassi satin folded over, the taupe leaf-and-branch motif curving across the crease

Close-up of the leaf design in teal and taupe, showing the branching silhouette woven into the satin

A tight fold in the teal satin, the leaf branches bending visibly at the crease

Teal leaf-pattern satin draped to show its glossy movement against the taupe branch motif

Front and reverse of the teal colorway, the back side settling into a softer seafoam tone

A wider cut of the teal and taupe leaf satin, shown to see the full scale of the branching motif

Olive green satin folded softly, the leaf branches reading as a deeper tonal shadow across the surface

A soft crease in the olive satin, the leaf motif visible mainly through the shift in sheen

Olive green Lassi satin draped loosely, suited to buyers wanting an earthy, low-contrast leaf print

Olive colorway shown front and back, both sides reading close in tone with a subtle sheen shift

A wider view of the olive leaf satin laid flat, showing the full branching pattern repeat

Close detail of the olive colorway, an earthier and more muted option than the teal version

Mauve-plum satin folded over, the grey leaf branches standing out softly against the warm purple base

Close-up of the mauve-plum leaf colorway, the deepest and most saturated of the three

A tight fold in the mauve-plum satin, the leaf branches bending with the crease of the fabric

Mauve-plum leaf-pattern satin draped to catch the light, the grey branch motif visible across the fold

Front and back of the mauve-plum colorway, the glossy face deeper in tone than its muted reverse

A wider section of the mauve-plum and grey leaf satin, shown to judge the pattern at full scale

Aubergine satin folded over, the sage-green pansy flower silhouette standing out boldly against the deep purple-brown base

Close-up of the aubergine and sage pansy flower colorway, a high-contrast floral rather than the tonal motifs in this line

A tight fold in the aubergine satin, the sage flower outline bending sharply at the crease

Aubergine pansy flower satin draped to catch the light, the bold petal silhouette visible across the fold

Front and back of the aubergine colorway, the glossy face far more saturated than its muted reverse

A wider cut of the aubergine and sage pansy flower satin, shown to see the full scale of the floral motif

Forest green satin folded softly, the pale sage flower outline reading sharply against the darker base

Close detail of the forest green pansy flower colorway, deeper and more dramatic than the aubergine version

A soft crease in the forest green satin, the flower silhouette breaking across the fold

Forest green pansy flower satin draped loosely, suited to buyers wanting a bold, dark floral statement

Forest green colorway shown front and back, the reverse settling into a quieter olive tone

A wider view of the forest green pansy flower satin laid flat, showing the full floral repeat

Navy satin folded over, the silver-grey pansy flower outline standing out crisply against the deep blue base

Close-up of the navy and silver-grey pansy flower colorway, the coolest-toned option of the three

A tight fold in the navy satin, the silver flower silhouette bending visibly at the crease

Navy pansy flower satin draped to show its glossy movement against the silver-grey petal outline

Front and back of the navy colorway, the glossy face holding a deeper blue than its softer reverse

A wider section of the navy and silver pansy flower satin, shown to judge the bold floral pattern at scale

Maroon satin folded over, the sage-grey lily petals showing a textured speckled fill within the outline

Close-up of the maroon lily flower colorway, the petal detail including a fine speckled texture rather than a flat silhouette

A tight fold in the maroon satin, the lily petal outline bending visibly at the crease

Maroon lily flower satin draped to show its glossy movement against the sage petal detail

Front and reverse of the maroon colorway, the back side muting into a softer brown-grey

A wider cut of the maroon and sage lily flower satin, shown to see the full scale of the floral motif

Black satin folded softly, the sage lily flower line art reading crisply against the deep base

Close detail of the black lily flower colorway, drawn in a finer line-art style than the maroon version

A soft crease in the black satin, the lily outline breaking across the fold

Black lily flower satin draped loosely, suited to buyers wanting a graphic, high-contrast floral

Black colorway shown front and back, the reverse side reading as a deep charcoal rather than true black

A wider view of the black and sage lily flower satin laid flat, showing the full line-art repeat

Deep plum satin folded over, the sage lily petals showing the same speckled texture as the maroon colorway in a darker base

Close-up of the plum lily flower colorway, the darkest and most saturated of the three

A tight fold in the plum satin, the speckled lily petal detail bending with the crease

Plum lily flower satin draped to catch the light, the textured petal fill visible across the fold

Front and back of the plum colorway, the glossy face deeper in tone than its muted reverse

A wider section of the plum and sage lily flower satin, shown to judge the textured floral pattern at scale

Wine-toned satin folded over, the sage-grey hibiscus petals standing out boldly against the burgundy base

Close-up of the wine and sage hibiscus flower colorway, a large-scale bloom rather than a repeating small motif

A tight fold in the wine satin, the hibiscus petal outline bending sharply at the crease

Wine hibiscus flower satin draped to catch the light, the bold petal shape visible across the fold

Front and back of the wine colorway, the glossy face holding more saturation than its muted reverse

A wider cut of the wine and sage hibiscus satin, shown to see the full scale of the bloom

Black satin folded softly, the sage hibiscus petals reading crisply against the deep base

Close detail of the black hibiscus flower colorway, the highest-contrast option of the three

A soft crease in the black satin, the hibiscus outline breaking across the fold

Black hibiscus flower satin draped loosely, suited to buyers wanting a graphic, statement-making floral

Black colorway shown front and back, the reverse side reading as a softer charcoal

A wider view of the black and sage hibiscus satin laid flat, showing the full bloom repeat

Deep eggplant satin folded over, the sage hibiscus petals standing out against the dark purple-black base

Close-up of the eggplant hibiscus flower colorway, cooler and darker in tone than the wine version

A tight fold in the eggplant satin, the petal outline bending with the crease of the fabric

Eggplant hibiscus flower satin draped to show its glossy movement against the sage petal detail

Front and back of the eggplant colorway, the glossy face deeper in tone than its muted reverse

A wider section of the eggplant and sage hibiscus satin, shown to judge the bold floral pattern at scale

Deep teal satin folded over, the delicate botanical spray pattern reading almost entirely through tonal sheen

Close-up of the teal floral colorway, a finer, more intricate spray motif than the bold hibiscus and pansy designs

A soft crease in the teal satin, the floral spray only emerging where the light catches the surface

Teal floral satin draped in loose waves, the delicate tonal motif visible across the moving fabric

Front and reverse of the teal floral colorway, both sides close in tone with a subtle sheen shift

A wider cut of the teal floral satin laid flat, showing the full scale of the spray pattern

Taupe-grey satin folded softly, the same delicate floral spray reading warmer than the teal colorway

Close detail of the taupe floral colorway, suited to buyers wanting a quiet, intricate pattern over a bold one

A gentle fold in the taupe satin, the floral spray catching light unevenly across the crease

Taupe floral satin draped to show its fluid movement, the tonal motif visible mainly through sheen

Taupe colorway shown front and back, the reverse side settling into a slightly cooler grey

A wider view of the taupe floral satin, laid out to show the full intricate spray repeat

Slate blue satin folded over, the repeating oval lattice pattern reading as a structured geometric texture

Close-up of the slate blue oval lattice colorway, a geometric repeat rather than a floral or organic motif

A tight fold in the slate blue satin, the lattice rows bending in step with the crease

Slate blue lattice satin draped to show its glossy movement against the repeating oval texture

Front and reverse of the slate blue colorway, both sides close in tone with a subtle sheen shift

A wider cut of the slate blue oval lattice satin, shown to see the full scale of the geometric repeat

Taupe-bronze satin folded softly, the same oval lattice pattern reading warmer than the slate blue colorway

Close detail of the taupe-bronze lattice colorway, suited to buyers wanting a textured neutral

A soft crease in the taupe-bronze satin, the lattice rows catching light unevenly at the fold

Taupe-bronze lattice satin draped loosely, the geometric texture visible across the moving fabric

Taupe-bronze colorway shown front and back, the reverse settling into a slightly deeper brown

A wider view of the taupe-bronze oval lattice satin laid flat, showing the full repeat

Teal-green satin folded over, the oval lattice texture reading cool against the muted green base

Close-up of the teal-green lattice colorway, the coolest-toned option of the three

A tight fold in the teal-green satin, the lattice rows bending with the crease of the fabric

Teal-green lattice satin draped to catch the light, the geometric texture visible across the fold

Front and back of the teal-green colorway, the glossy face slightly more saturated than its reverse

A wider section of the teal-green oval lattice satin, shown to judge the geometric pattern at scale

Deep brown satin folded over, the sage-green baroque scrollwork standing out boldly against the dark base

Close-up of the brown and sage baroque colorway, an ornate paisley-scroll motif rather than a floral or geometric one

A tight fold in the brown satin, the baroque scrollwork bending sharply at the crease

Brown baroque satin draped to catch the light, the ornate sage pattern visible across the fold

Front and back of the brown colorway, the glossy face far more saturated than its muted reverse

A wider cut of the brown and sage baroque satin, shown to see the full scale of the ornate motif

Olive green satin folded softly, the baroque scrollwork reading through tonal sheen rather than strong contrast

Close detail of the olive baroque colorway, more understated than the brown and navy versions

A soft crease in the olive satin, the scrollwork only emerging where the light catches the surface

Olive baroque satin draped loosely, suited to buyers wanting an ornate pattern without high contrast

A wider view of the olive baroque satin laid flat, showing the full scroll pattern repeat

Navy satin folded over, the olive-khaki baroque scrollwork standing out warmly against the deep blue base

Close-up of the navy and olive-khaki baroque colorway, warmer in tone than the navy-and-grey version

A tight fold in the navy satin, the olive-khaki scrollwork bending visibly at the crease

Navy baroque satin draped to show its glossy movement against the olive-khaki scroll pattern

Front and back of the navy and olive-khaki colorway, the glossy face holding more warmth than its muted reverse

A wider section of the navy and olive-khaki baroque satin, shown to judge the ornate pattern at scale

Navy satin folded over, the cool grey baroque scrollwork standing out crisply against the deep blue base

Close-up of the navy and grey baroque colorway, the coolest-toned of the four options in this design

A tight fold in the navy satin, the grey scrollwork bending sharply at the crease

Navy baroque satin draped to catch the light, the cool grey scroll pattern visible across the fold

Front and back of the navy and grey colorway, the glossy face holding a deeper blue than its softer reverse

A wider view of the navy and grey baroque satin laid flat, showing the full scroll pattern repeat

Black satin folded over, the sage-olive abstract splatter motif breaking unevenly across the dark base

Close-up of the black graphic line colorway, an abstract fractured-splatter motif unlike any other design in this line

A tight fold in the black satin, the abstract pattern breaking sharply at the crease

Black graphic line satin draped to catch the light, the irregular splatter motif visible across the fold

Front and back of the black colorway, the glossy face holding more contrast than its muted reverse

A wider cut of the black and sage-olive graphic line satin, shown to see the abstract pattern at scale

Navy satin folded softly, the grey-blue fractured line motif reading as branching abstract shapes

Close detail of the navy graphic line colorway, cooler in tone than the black version

A soft crease in the navy satin, the fractured pattern bending unevenly with the fold

Navy graphic line satin draped loosely, suited to buyers wanting a modern, abstract print

Navy colorway shown front and back, the reverse settling into a softer steel-blue

A wider view of the navy and grey-blue graphic line satin laid flat, showing the full abstract repeat

Navy-charcoal satin folded over, the olive-tan splatter motif standing out against the dark blue-grey base

Close-up of the navy-charcoal graphic line colorway, blending cooler and warmer tones in one abstract print

A tight fold in the navy-charcoal satin, the splatter pattern bending with the crease of the fabric

Navy-charcoal graphic line satin draped to show its glossy movement against the olive-tan splatter

Front and back of the navy-charcoal colorway, the glossy face more saturated than its muted reverse

A wider section of the navy-charcoal and olive-tan graphic line satin, shown to judge the abstract pattern at scale

Reversible Two-Tone Stretch Satin Jacquard Fabric

Reversible Two-Tone Stretch Satin Jacquard Fabric

$35.00 / Meter

Choose how you want to buy

Meters: Minimum cut 1 m

Select quantity

Reversible Two-Tone Stretch Satin Jacquard Fabric has a front-and-back finish where shine and matte texture trade places from one side to the other. On the face, the floss satin base carries a glossy sheen while the woven motif sits matte against it; flip the fabric over and that relationship reverses, with the motif catching the gloss and the ground turning matte.

With two-way stretch and a soft, fluid hand, it behaves closer to a fashion satin than a structured jacquard. The design range includes Wave, Animal Motif, Seaweed, Leaf, Pansy Flower, Lily Flower, Hibiscus Flower, Floral, Oval Lattice, Baroque and Graphic Line directions across tonal and high-contrast colourways.

Use it for structured-yet-fluid dresses, eveningwear, skirts, fitted garments and statement pieces where either side of the fabric can be used in construction. Made in Türkiye. Order a swatch to feel the stretch and reversible finish before cutting or production.

Fabric type Reversible two-tone stretch satin jacquard

Composition 64% Rayon, 34% Polyester, 2% Elastane

Fabric width 130 cm

Weight 210 GSM

Weight class Midweight

Stretch 2-way

Transparency Opaque

Drape Fluid

Hand feel Smooth satin hand with gentle two way stretch

Texture Reversible two tone satin jacquard weave

Finish Reversible glossy-matte satin jacquard finish

Fabric structure Woven

Shrinkage Minimal shrinkage expected, but test a swatch before production.

Sold by Meter | Swatch | Wholesale

Minimum cut 1.0 m

Wholesale MOQ 25 m

Season All season | Spring | Autumn | Summer | Winter

Origin Türkiye

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What makes this Reversible Two-Tone Stretch Satin Jacquard different?

It combines a reversible two-tone satin jacquard face with two-way stretch, so both sides can be considered during design and the fabric has more give than non-stretch jacquards.

Can both sides of the fabric be used?

Yes. The product is described as reversible, meaning the two-tone satin jacquard effect can be used from either face depending on the garment design.

Does this fabric stretch?

Yes. It is listed as 2-way stretch, supported by the 2% elastane content. It still needs to be tested for recovery before fitted production.

Is this fabric opaque?

Yes. The product is listed as opaque, so it is suitable for garments where transparency is not wanted.

What is the composition?

The stored composition is 64% rayon, 34% polyester and 2% elastane.

How heavy and wide is it?

It is 210 GSM and 130 cm wide, giving it a medium structured satin-jacquard profile.

What garments is it best for?

It works for fitted dresses, reversible jackets or wraps, skirts, statement tops and occasionwear where satin finish, two-tone pattern and stretch are useful.

Which design families are available?

The stored product line includes multiple design families, including Wave, Seaweed, Leaf, Floral, Pansy Flower, Hibiscus Flower, Oval Lattice, Barook and Graphic Line directions.

Is this fabric printed?

The pattern is jacquard-woven into the fabric structure rather than simply printed on top.

How is it different from printed satin?

Printed satin has a surface print on one face. This fabric uses a two-tone jacquard construction and is reversible, so the pattern and finish relationship are part of the fabric structure.

Can I use this for body-conscious garments?

It has 2-way stretch, so it can support more fitted shapes than non-stretch jacquards, but a swatch test is still needed for stretch recovery, seam choice and comfort.

Should I test both sides before cutting?

Yes. Check both faces under the intended lighting before deciding which side will be the main face of the garment.

Can I order swatches across designs?

Yes. Order individual swatches per design and colorway to compare stretch, sheen, reverse face and color before committing to meterage.

What should I test before production?

Test stretch recovery, seam handling, pressing, drape, side preference and pattern placement on a swatch before cutting final yardage.

Where is this fabric made?

This reversible two-tone stretch satin jacquard is made in Türkiye.

Organic

Non-toxic

Responsible

Lab verified

Breathability

3/5

Sweat handling

3/5

Layering

5/5

Sun protection

3/5

Softness

8/10

Drape

8/10

Sheen

10/10

Wrinkle resistance

7/10

Fabric care

Before cutting or sewing this reversible stretch satin jacquard, test a swatch for washing, steaming, pressing, stretch recovery and sheen. Because the fabric is double-faced and stretch woven, check both sides before deciding the garment face.

Test first Test washing, steaming, pressing and stretch recovery on a small piece before cutting the full fabric.
Reversible face Choose the main face before cutting and check colour direction, sheen and motif placement.
Wash Use cold gentle handling or dry clean if you want the safest route for the finished garment.
Dry Do not tumble dry. Air dry gently in shade and avoid strong wringing or twisting.
Iron Press from the reverse side with a pressing cloth, using low heat and light pressure.
Cutting Let the fabric relax flat before cutting so the stretch and grain settle properly.

General care guidance only. Results may vary by colour, stretch, satin sheen, steam, water quality and garment construction.

Fabric comparison

Compare to Single-Face Printed Satin

A standard printed satin has one usable face with a printed pattern and a plain, often duller backing — the reverse isn't designed to be seen or used.

This fabric is better when

Genuinely reversible, with the shine and matte relationship flipping between sides rather than one face being a plain backing
The two-way stretch supports fitted garment construction that a typical printed satin, often non-stretch, can't accommodate
The woven motif won't crack or fade at the surface the way a printed design can over time

Single-Face Printed Satin is better when

Printed satin is typically more affordable and faster to produce in custom or small-batch designs
A printed motif can be more photorealistic or intricate than a woven jacquard pattern allows

Best choice: Choose printed satin for budget-driven, single-use-face pieces or highly custom print designs. Choose this fabric when reversible construction and stretch are genuinely needed.

Compare to Non-Stretch Woven Jacquard

Most of the jacquard fabrics in this collection, including the embossed and tonal lines, are non-stretch wovens built for structured or relaxed silhouettes rather than fitted ones.

This fabric is better when

Two-way stretch supports body-conscious and fitted silhouettes that a non-stretch woven simply can't achieve
The reversible construction gives genuine design flexibility for wrap, reversible, or two-sided garment pieces
The floss satin sheen creates a more fluid, glossy drape than the structured matte hand of the heavier wovens in this line

Non-Stretch Woven Jacquard is better when

Non-stretch jacquard typically holds tailored structure and crisp seams better, useful for fitted bodices or structured panels
Without stretch, sizing and pattern grading can be more predictable for production

Best choice: Choose a non-stretch jacquard for structured, tailored pieces where shape retention matters most. Choose this reversible stretch satin for fitted, body-conscious, or reversible-construction pieces.

Compare to Plain Stretch Satin

A plain stretch satin offers the same fluid, glossy drape and stretch as this fabric, but with no woven pattern — just a solid color.

This fabric is better when

Comes with an extensive design catalog — eleven motifs across dozens of colorways — without sacrificing the stretch and sheen of a plain satin
The reversible shine/matte construction adds a design feature a plain satin doesn't have, even though both sides remain usable
More visual differentiation for product photography and in-store merchandising than a solid color

Plain Stretch Satin is better when

Plain stretch satin is simpler to match and coordinate across multiple garment pieces or accessories
Typically a lower cost option when pattern isn't a priority

Best choice: Choose plain stretch satin for foundational solid-color pieces. Choose this fabric when the woven motif itself needs to be part of the design.

How do shipping, duties, taxes, and delivery work?

HIBA Fabrics ships internationally to the USA, Canada, UK, Australia, UAE, Saudi Arabia, and many other destinations. Shipping options, estimated delivery times, duties, VAT, taxes, and any applicable import charges vary by destination and are displayed at checkout before payment where applicable.

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Reversible Two-Tone Stretch Satin Jacquard Fabric

Product Specifications

Not sure how many meters?

What buyers ask before ordering

Organic

Non-toxic

Responsible

Lab verified

Breathability

Sweat handling

Layering

Sun protection

Softness

Drape

Sheen

Wrinkle resistance

This fabric is better when

Single-Face Printed Satin is better when

This fabric is better when

Non-Stretch Woven Jacquard is better when

This fabric is better when

Plain Stretch Satin is better when

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Reversible Two-Tone Stretch Satin Jacquard Fabric

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Organic

Non-toxic

Responsible

Lab verified

Breathability

Sweat handling

Layering

Sun protection

Softness

Drape

Sheen

Wrinkle resistance

This fabric is better when

Single-Face Printed Satin is better when

This fabric is better when

Non-Stretch Woven Jacquard is better when

This fabric is better when

Plain Stretch Satin is better when

How do shipping, duties, taxes, and delivery work?

What should I know before ordering cut fabric?

Need help choosing the right fabric?

Can I visit HIBA Fabrics in person?

Continue your fabric journey

More Abaya Fabrics

Fabrics for hijabs

Fabrics for dresses

Order fabric swatches

Wholesale fabric orders

How much fabric do I need?