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Espresso brown trailing rose vine viscose rayon jacquard shown in a soft drape, ideal for flowing abayas, wrap dresses and elegant kaftans.
Front and reverse view of espresso brown rose vine rayon jacquard, useful for lined tunics, loose robes and tailored long dresses.
Full trailing rose vine pattern in espresso brown tone-on-tone viscose jacquard for maxi dresses, skirts and coordinated apparel sets.
Gathered espresso brown rayon jacquard highlighting fluid movement for ruched blouses, gathered skirts and graceful occasion dresses.
Layered folds of espresso brown floral viscose jacquard demonstrating body and sheen for kimono jackets, abayas and palazzo trousers.
Close-up of espresso brown trailing rose jacquard texture, suited to refined shirts, evening tops and lightweight dressmaking projects.
Deep burgundy trailing rose vine viscose rayon jacquard softly draped for romantic kaftans, long gowns and fluid open-front abayas.
Deep burgundy rose-pattern jacquard viewed from both sides, helping assess it for lined dresses, modest tunics and flowing robes.
Complete rose vine repeat on deep burgundy tone-on-tone rayon jacquard for statement maxi skirts, dresses and matching separates.
Deep burgundy floral jacquard arranged in gathered folds to show drape for voluminous sleeves, blouses and formal dresses.
Folded layers of deep burgundy viscose rayon jacquard revealing subtle floral depth for abayas, kimono tops and wide-leg pants.
Detailed surface view of deep burgundy trailing rose vine jacquard for premium tunics, elegant shirts and special-occasion garments.
Gathered jet black abstract botanical viscose jacquard showing fluid volume for abayas, draped dresses and full-length skirts.
Jet black botanical rayon jacquard presented in a diagonal fold to display its fall for tunics, kaftans and relaxed tailoring.
Full abstract botanical motif across jet black tone-on-tone jacquard for evening dresses, long jackets and coordinated sets.
Layered jet black viscose jacquard folds showing tonal botanical texture for structured abayas, overshirts and palazzo trousers.
Spiral drape of jet black abstract floral rayon jacquard demonstrating graceful movement for gowns, wrap skirts and kimono robes.
Macro view of jet black botanical jacquard weave and tonal finish for refined blouses, formal tunics and dressmaking details.
Wine burgundy abstract botanical viscose rayon jacquard in a soft flowing drape for kaftans, maxi dresses and elegant abayas.
Front and reverse sides of wine burgundy botanical jacquard shown for planning lined robes, tunics and long tailored garments.
Wide view of the abstract botanical repeat in wine burgundy tone-on-tone jacquard for skirts, dresses and two-piece ensembles.
Wine burgundy rayon jacquard gathered to reveal softness and volume for puff sleeves, gathered gowns and flowing occasionwear.
Stacked folds of wine burgundy abstract floral jacquard highlighting texture for kimono jackets, loose shirts and palazzo styles.
Close textile detail of wine burgundy botanical viscose jacquard for sophisticated blouses, dress panels and couture-inspired accents.

Tone-on-Tone Viscose Rayon Jacquard Fabric

$12.00 / Meter
Choose how you want to buy
Meters: Minimum cut 1 m
m
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Tone-on-Tone Viscose Rayon Jacquard Fabric is a Türkiye-made midweight woven jacquard combining 50% rayon and 50% viscose. Its tone-on-tone botanical motifs are formed through the weave rather than printed on the surface, creating subtle texture and a soft, light-responsive luster. At 168 GSM and 153 cm wide, the fabric is opaque and non-stretch with a soft hand and balanced drape, making it well suited to abayas, blouses, skirts, dresses, kaftans and coordinated separates.

The fabric reads largely as a solid shade from a distance, then reveals more of its jacquard pattern as light moves across folds. This gives garments visual depth without the stronger contrast of a printed motif. The current designs—Trailing Rose Vine and Abstract Botanical—use the same-color woven effect to add surface detail while keeping the overall look refined and monochromatic.

  • Composition: 50% rayon, 50% viscose
  • Weight: 168 GSM — midweight
  • Width: 153 cm
  • Structure: woven jacquard
  • Stretch: non-stretch
  • Coverage: opaque
  • Drape: balanced, softly structured
  • Surface: tone-on-tone woven botanical jacquard
  • Origin: Türkiye
  • Season: all season
  • Sold by: meter, swatch or wholesale

This is a woven fashion jacquard, not a stretch fabric. For close-fitting patterns, build the required ease into the garment rather than relying on fabric recovery. Because rayon/viscose constructions can respond differently to laundering and pressing depending on the finish, test the intended washing, pressing and sewing method on a swatch and pre-treat production yardage before cutting.

Product Specifications

Fabric type Tone-on-Tone Jacquard
Composition 50% Rayon, 50% Viscose
Fabric width 153 cm
Weight 168 GSM
Weight class Midweight
Stretch Non-stretch
Transparency Opaque
Drape Structured
Hand feel Soft Smooth
Texture Textured Jacquard
Finish Tone-on-Tone Woven Jacquard
Fabric structure Woven Jacquard
Shrinkage Minimal shrinkage expected, but test a swatch before production.
Sold by Meter | Swatch | Wholesale
Minimum cut 1.0 m
Wholesale MOQ 27 m
Season All season
Origin Türkiye
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Quick answers

What buyers ask before ordering

Is the tone-on-tone jacquard pattern printed or woven into the fabric?

The botanical motif is created through the woven jacquard structure rather than applied as a surface print. That gives the fabric texture and a pattern that becomes more visible as light moves across the weave.

How visible is the tone-on-tone pattern from a distance?

From farther away the fabric can read close to a solid colour. At closer range, or when the fabric folds and catches angled light, the woven motif becomes more noticeable, giving depth without strong colour contrast.

Is this fabric shiny like satin?

No. It does not have the continuous glossy face of satin. The rayon/viscose yarns and jacquard weave create a softer, light-responsive luster that changes across the pattern and folds.

Is 168 GSM too heavy for an abaya or kaftan?

At 168 GSM it is a midweight fabric with more body than a very lightweight viscose. It works well for abayas, kaftans and long garments when you want opaque coverage and a balanced drape rather than an ultra-airy silhouette.

Is it suitable for dresses and skirts?

Yes. The opaque midweight construction and balanced drape suit maxi dresses, gathered or A-line skirts, wrap-inspired shapes and coordinated separates. The final silhouette will have more body than a lightweight viscose challis.

Does this jacquard fabric stretch?

No. It is a non-stretch woven, so fitted garments need the required wearing ease, shaping or closures built into the pattern rather than relying on fabric stretch.

Is it opaque enough to use without lining?

The fabric is listed as opaque, so many garments may not require a lining for coverage. Lining can still be added for structure, comfort, seam finishing or personal preference; test the chosen colour under your intended lighting before production.

Does the reverse side look the same as the front?

Jacquard fabrics can show a different yarn arrangement on the reverse even when the colours are similar. The product gallery includes front-and-back views so you can compare both sides before deciding whether the reverse is suitable to show in your design.

Will I need extra fabric to match the jacquard motif across seams?

If exact motif placement or seam matching matters, plan for additional yardage. Review the full-pattern images and order a swatch first, then calculate extra allowance according to your garment pieces and the repeat you want to align.

Can I use this fabric for blouses and tunics?

Yes. It is suitable for relaxed blouses, tunics, overshirts and softly structured tops. At 168 GSM it has more substance than a very light blouse-weight viscose, so it is especially useful when you want the garment to hold a little shape.

How is this different from printed viscose fabric?

Printed viscose gets its motif from colour applied to the surface, while this fabric gets its tonal pattern from the weave itself. The result is subtler in colour contrast but richer in physical texture and light-dependent pattern definition.

Can rayon or viscose jacquard shrink after washing?

Rayon and viscose can respond to moisture, heat and laundering, and the exact amount varies by construction and finish. Test and pre-treat a swatch using your intended care method before cutting full yardage rather than assuming a fixed shrinkage percentage.

What sewing approach should I test first?

Treat it as a non-stretch woven. Start with a sharp woven-fabric needle, test stitch length, tension and pressing on a swatch, and handle cut edges carefully if your sample shows fraying. Confirm the method before cutting production yardage.

Will repeat orders match the same colour exactly?

Small differences can occur between dye lots and production batches. For matching abayas, uniforms, coordinated sets or larger production runs, order the expected quantity together or compare a current swatch before reordering.

Is this suitable for wholesale abaya or apparel production?

Yes. The 153 cm width, 168 GSM midweight construction, opaque coverage and non-stretch woven structure make it practical for abayas, dresses, skirts, blouses and coordinated apparel. Order swatches first to confirm drape, colour and jacquard visibility for your pattern before committing to the wholesale quantity.

Breathability

4/5

Sweat handling

3/5

Layering

4/5

Sun protection

4/5

Softness

7/10

Drape

5/10

Sheen

4/10

Wrinkle resistance

5/10
Fabric care

Before cutting or sewing this tone-on-tone rayon-viscose jacquard, test a swatch for washing, steaming, pressing and shrinkage. Let the fabric relax before measuring and keep the jacquard face and motif direction consistent through the cutting layout.

  • Test first Test a small piece before washing, steaming, pressing or cutting the full fabric.
  • Pre-treat Pre-treat using the care method planned for the finished garment, then let the fabric dry and relax before measuring.
  • Cutting Keep the jacquard face and botanical motif direction consistent. Allow extra fabric when pattern matching is important.
  • Needle Use a sharp universal or Microtex needle suitable for a midweight woven fabric and test stitch quality on a scrap.
  • Seams Test seam tension and finish raw edges if your sample shows fraying.
  • Pressing Press from the reverse side on low heat with a pressing cloth and avoid heavy pressure that can flatten the jacquard texture.

General sewing guidance only. Results can vary by machine, needle, thread, colourway, washing method and garment construction.

Fabric comparison
Compare to Printed Rayon-Viscose

Printed rayon-viscose places the visible design on the surface, while this fabric creates its tone-on-tone botanical motif through the jacquard weave.

This fabric is better when

  • The motif is woven into the fabric rather than applied as a surface print
  • Tone-on-tone construction adds texture and light-responsive depth without a high-contrast graphic effect
  • The woven pattern is part of the fabric structure rather than a separate printed layer

Printed Rayon-Viscose is better when

  • Printed fabric can offer stronger multicolor contrast and more graphic pattern variety
  • Print placement can create bolder visual statements when texture is not the priority
Best choice: Choose this jacquard for subtle monochromatic texture and woven depth. Choose printed rayon-viscose when color contrast and graphic pattern variety are the main design goal.
Compare to Plain Solid Rayon-Viscose

A plain solid rayon-viscose gives a clean uninterrupted surface, while this jacquard keeps a mostly solid-color look but adds woven botanical detail.

This fabric is better when

  • Adds surface interest without relying on contrasting color
  • Jacquard detail becomes more visible as light moves across folds
  • Offers a more dimensional look for abayas, dresses, blouses and skirts

Plain Solid Rayon-Viscose is better when

  • Plain solids are easier when no motif alignment or directional layout is desired
  • A completely flat surface can be preferable for minimalist basics or garments with heavy embellishment
Best choice: Choose plain rayon-viscose for the simplest solid base. Choose this tone-on-tone jacquard when you want a solid-color effect with built-in woven detail.
Compare to Satin

Satin emphasizes a smooth, continuous glossy face; this jacquard has a softer restrained luster with visible woven texture.

This fabric is better when

  • Botanical texture provides visual depth beyond continuous shine
  • The finish is more understated and monochromatic than a high-gloss satin surface
  • Tone-on-tone jacquard can read as solid from a distance and textured up close

Satin is better when

  • Satin gives a smoother, more continuous sheen for glossy formal looks
  • A satin surface is better when shine, rather than woven texture, is the main visual effect
Best choice: Choose satin for continuous gloss. Choose this jacquard for subtle luster with woven botanical texture.
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