Copper Lassi satin folded over itself, the wave lines shifting between warm copper and cool blue-grey as the light moves

Close-up of the copper and blue-grey wave colorway, the same pairing shown in the main product photography for this fabric

A tight fold in the copper satin, where the blue-grey wave lines bend sharply at the crease

Copper wave-pattern satin draped to show its glossy movement and the contrast of the blue-grey lines

Front and reverse of the copper colorway, the back side settling into a quieter, more matte blue-grey

A wider cut of the copper and blue-grey wave satin, shown unfolded to judge the scale of the repeat

Close detail of the tonal taupe wave colorway, one of the more understated options in this fabric line

Taupe-grey satin folded softly, the wave motif reading almost entirely through sheen since the colorway is tonal

Taupe satin draped in loose waves, the pattern only visible where the fabric catches direct light

A soft crease in the taupe satin showing how subtly the wave lines separate from the base tone

Taupe colorway shown front and back, both sides reading close in tone with only a slight sheen shift

A wider view of the taupe wave satin laid flat, useful for seeing the full tonal pattern repeat

Close-up of the orange-red wave colorway, the highest-contrast option in this fabric's color range

Vivid orange-red satin folded over, with pale ivory wave lines standing out sharply against the bold base color

A tight fold in the orange-red satin, the ivory wave lines bending visibly with the crease

Orange-red Lassi satin draped to catch the light, the contrast lines clearly visible across the moving fabric

Wave design: Front and back of the orange-red colorway, the glossy face far more saturated than its muted reverse

A wider section of the orange-red and ivory wave satin, shown to give a sense of the full pattern at scale

Close detail of the mauve-plum colorway, a deeper and warmer tonal option than the taupe version

Mauve-plum satin folded gently, the wave lines emerging through tonal sheen rather than strong contrast

A soft fold in the mauve-plum satin, the wave pattern catching light unevenly across the crease

Mauve-plum Lassi satin draped loosely, suited to buyers wanting color depth without high contrast

Front and reverse of the mauve-plum colorway, the back side leaning slightly cooler than the glossy face

A wider cut of the mauve-plum wave satin laid out, showing the full repeat of the tonal pattern

Close-up of the copper and blue-grey animal print, showing the cracked, mottled texture characteristic of this motif

Copper and blue-grey animal print satin folded over, the mottled pattern shifting tone across the crease

A tight fold in the copper animal print satin, the blue-grey patches breaking up unevenly at the crease

Copper animal print satin draped to show its glossy movement against the mottled blue-grey pattern

Front and reverse of the copper animal print colorway, the back side noticeably softer and more matte

A wider cut of the copper and blue-grey animal print satin, useful for seeing the full scale of the motif

Close detail of the tonal taupe animal print, a quieter option than the higher-contrast colorways

Taupe-beige satin folded gently, the animal print pattern reading mostly through subtle tonal sheen

A soft crease in the taupe satin, the mottled pattern only emerging where light catches the fabric directly

Taupe animal print satin draped loosely, suited to buyers wanting texture without strong color contrast

Taupe colorway shown front and back, both sides reading close in tone with a slight sheen difference

A wider view of the taupe animal print satin laid flat, showing the full tonal pattern repeat

Close-up of the burnt orange animal print, the most vivid of the four colorways in this design

Burnt orange satin folded over, the grey-mauve mottled pattern standing out sharply against the bold base

A tight fold in the burnt orange satin, the grey-mauve patches breaking sharply at the crease

Burnt orange animal print satin draped to catch the light, the high-contrast pattern visible across the fold

Front and back of the burnt orange colorway, the glossy face far bolder than its muted reverse side

A wider section of the burnt orange and grey-mauve animal print satin, shown to judge the pattern at scale

Close detail of the mauve-rose animal print colorway, warmer in tone than the taupe version

Mauve-rose satin folded softly, the animal print motif emerging through tonal sheen rather than strong contrast

A gentle fold in the mauve-rose satin, the mottled pattern catching light unevenly across the crease

Mauve-rose Lassi satin draped to show its fluid movement, the pattern visible mainly through sheen shift

Front and reverse of the mauve-rose colorway, the back side settling into a slightly deeper rose tone

A wider cut of the mauve-rose animal print satin laid out, showing the full tonal repeat

Close-up of the seaweed pattern woven into dusty rose stretch satin, visible mainly through sheen rather than color contrast

Dusty rose Lassi satin folded to show how the seaweed motif catches light differently across each curve

Fabric pinched into soft folds, showing how the dusty rose tone holds together even where the satin creases

Dusty rose reversible satin draped loosely, with the seaweed lines emerging as the fabric catches the light

Both sides of the dusty rose Lassi satin side by side, showing the glossy face and its softer matte reverse

A wider cut of dusty rose Seaweed satin jacquard laid flat, showing the overall scale of the woven motif.

Detailed view of the Seaweed jacquard motif in slate blue and warm mauve, showing the two-tone woven contrast.

Slate blue satin folded over itself, with the mauve-toned seaweed lines crossing at different angles in the fold

A tight fold in the slate blue satin, showing where the mauve pattern lines intersect near the crease

Slate blue Lassi satin hanging in soft waves, mauve seaweed lines visible across the moving fabric

Front and reverse of the slate blue colorway, showing how the glossy and matte sides differ in tone

Full width of the slate blue and mauve seaweed satin, shown unfolded to see the repeat of the motif

Close detail of the magenta colorway, where the contrast between bright pink and taupe is the most vivid of the six

Magenta satin gathered into a fold, with taupe seaweed lines running through the brighter pink tone

A soft crease in the magenta satin, showing the taupe pattern lines bending with the fabric

Magenta Lassi satin draped to show its glossy movement, with deeper pink shadow areas visible at the base

Magenta colorway shown front and back, the reverse side noticeably more muted than the glossy face

A wider section of the magenta and taupe seaweed satin, useful for seeing how the colorway reads at a distance

Close-up of the copper and blue-grey colorway, the combination shown in the original product photography for this fabric

Copper-toned satin folded against itself, with the blue-grey seaweed lines crossing through the warm base color

Copper satin pinched into a tight fold, showing how the blue-grey lines hold their shape even where the fabric creases

Copper Lassi satin draped loosely, the blue-grey seaweed motif catching light unevenly across the folds

Front and back of the copper colorway, showing the shift from glossy copper to a softer, matte blue-grey reverse

A wider view of the copper and blue-grey seaweed satin laid out, showing the full scale of the repeat

Close detail of the champagne colorway, the most subtle of the six since the pattern relies entirely on tonal sheen

Pale champagne satin folded softly, the seaweed lines barely visible except where the light catches the sheen

A gentle fold in the champagne satin, showing how understated the seaweed motif reads in this pale tone

Champagne Lassi satin draped in soft waves, suited to buyers wanting a near-solid look with subtle texture

Champagne colorway shown front and back, both sides reading close to neutral with only a slight sheen difference

A wider cut of the champagne seaweed satin, laid flat to show the full tonal pattern repeat

Close-up of the sage colorway, an earthier tone than the other five with warm mauve pattern lines

Sage green satin folded over, with mauve seaweed lines crossing through the muted green-grey base

A tight fold in the sage satin, where the mauve lines bend and cross as the fabric creases

Sage green Lassi satin draped to show its fluid movement, the seaweed lines visible across the curve of the fold

Sage colorway shown front and back, the reverse side shifting toward a deeper olive tone

Wide close-up of sage and mauve Seaweed satin jacquard showing both colour and woven motif scale.

Close-up of the orange-red seaweed colorway, the highest-contrast option among the seaweed designs

Vivid orange-red satin folded over, the ivory seaweed lines standing out sharply against the bold base color

A tight fold in the orange-red satin, the ivory pattern lines bending visibly at the crease

Orange-red seaweed satin draped to catch the light, the high-contrast lines visible across the moving fabric

Seaweed design: Front and back of the orange-red colorway, the glossy face far more saturated than its muted reverse

A wider view of the orange-red and ivory seaweed satin, shown to give a sense of the pattern at scale

Close-up of the leaf design in teal and taupe, showing the branching silhouette woven into the satin

Teal Lassi satin folded over, the taupe leaf-and-branch motif curving across the crease

A tight fold in the teal satin, the leaf branches bending visibly at the crease

Teal leaf-pattern satin draped to show its glossy movement against the taupe branch motif

Front and reverse of the teal colorway, the back side settling into a softer seafoam tone

A wider cut of the teal and taupe leaf satin, shown to see the full scale of the branching motif

Close detail of the olive colorway, an earthier and more muted option than the teal version

Olive green satin folded softly, the leaf branches reading as a deeper tonal shadow across the surface

A soft crease in the olive satin, the leaf motif visible mainly through the shift in sheen

Olive green Lassi satin draped loosely, suited to buyers wanting an earthy, low-contrast leaf print

Leaf design: Olive colorway shown front and back, both sides reading close in tone with a subtle sheen shift

A wider view of the olive leaf satin laid flat, showing the full branching pattern repeat

Close-up of the mauve-plum leaf colorway, the deepest and most saturated of the three

Mauve-plum satin folded over, the grey leaf branches standing out softly against the warm purple base

A tight fold in the mauve-plum satin, the leaf branches bending with the crease of the fabric

Mauve-plum leaf-pattern satin draped to catch the light, the grey branch motif visible across the fold

Front and back of the mauve-plum colorway, the glossy face deeper in tone than its muted reverse

A wider section of the mauve-plum and grey leaf satin, shown to judge the pattern at full scale

Close-up of the aubergine and sage pansy flower colorway, a high-contrast floral rather than the tonal motifs in this line

Aubergine satin folded over, the sage-green pansy flower silhouette standing out boldly against the deep purple-brown base

A tight fold in the aubergine satin, the sage flower outline bending sharply at the crease

Aubergine pansy flower satin draped to catch the light, the bold petal silhouette visible across the fold

Front and back of the aubergine colorway, the glossy face far more saturated than its muted reverse

A wider cut of the aubergine and sage pansy flower satin, shown to see the full scale of the floral motif

Close detail of the forest green pansy flower colorway, deeper and more dramatic than the aubergine version

Forest green satin folded softly, the pale sage flower outline reading sharply against the darker base

A soft crease in the forest green satin, the flower silhouette breaking across the fold

Forest green pansy flower satin draped loosely, suited to buyers wanting a bold, dark floral statement

Forest green colorway shown front and back, the reverse settling into a quieter olive tone

A wider view of the forest green pansy flower satin laid flat, showing the full floral repeat

Close-up of the navy and silver-grey pansy flower colorway, the coolest-toned option of the three

Navy satin folded over, the silver-grey pansy flower outline standing out crisply against the deep blue base

A tight fold in the navy satin, the silver flower silhouette bending visibly at the crease

Navy pansy flower satin draped to show its glossy movement against the silver-grey petal outline

Front and back of the navy colorway, the glossy face holding a deeper blue than its softer reverse

A wider section of the navy and silver pansy flower satin, shown to judge the bold floral pattern at scale

Close-up of the maroon lily flower colorway, the petal detail including a fine speckled texture rather than a flat silhouette

Maroon satin folded over, the sage-grey lily petals showing a textured speckled fill within the outline

A tight fold in the maroon satin, the lily petal outline bending visibly at the crease

Maroon lily flower satin draped to show its glossy movement against the sage petal detail

Front and reverse of the maroon colorway, the back side muting into a softer brown-grey

A wider cut of the maroon and sage lily flower satin, shown to see the full scale of the floral motif

Close detail of the black lily flower colorway, drawn in a finer line-art style than the maroon version

Black satin folded softly, the sage lily flower line art reading crisply against the deep base

A soft crease in the black satin, the lily outline breaking across the fold

Black lily flower satin draped loosely, suited to buyers wanting a graphic, high-contrast floral

Black colorway shown front and back, the reverse side reading as a deep charcoal rather than true black

A wider view of the black and sage lily flower satin laid flat, showing the full line-art repeat

Close-up of the plum lily flower colorway, the darkest and most saturated of the three

Deep plum satin folded over, the sage lily petals showing the same speckled texture as the maroon colorway in a darker base

A tight fold in the plum satin, the speckled lily petal detail bending with the crease

Plum lily flower satin draped to catch the light, the textured petal fill visible across the fold

Front and back of the plum colorway, the glossy face deeper in tone than its muted reverse

A wider section of the plum and sage lily flower satin, shown to judge the textured floral pattern at scale

Close-up of the wine and sage hibiscus flower colorway, a large-scale bloom rather than a repeating small motif

Wine-toned satin folded over, the sage-grey hibiscus petals standing out boldly against the burgundy base

A tight fold in the wine satin, the hibiscus petal outline bending sharply at the crease

Wine hibiscus flower satin draped to catch the light, the bold petal shape visible across the fold

Front and back of the wine colorway, the glossy face holding more saturation than its muted reverse

A wider cut of the wine and sage hibiscus satin, shown to see the full scale of the bloom

Close detail of the black hibiscus flower colorway, the highest-contrast option of the three

Black satin folded softly, the sage hibiscus petals reading crisply against the deep base

A soft crease in the black satin, the hibiscus outline breaking across the fold

Black hibiscus flower satin draped loosely, suited to buyers wanting a graphic, statement-making floral

Black colorway shown front and back, the reverse side reading as a softer charcoal

A wider view of the black and sage hibiscus satin laid flat, showing the full bloom repeat

Close-up of the eggplant hibiscus flower colorway, cooler and darker in tone than the wine version

Deep eggplant satin folded over, the sage hibiscus petals standing out against the dark purple-black base

A tight fold in the eggplant satin, the petal outline bending with the crease of the fabric

Eggplant hibiscus flower satin draped to show its glossy movement against the sage petal detail

Front and back of the eggplant colorway, the glossy face deeper in tone than its muted reverse

A wider section of the eggplant and sage hibiscus satin, shown to judge the bold floral pattern at scale

Close-up of the teal floral colorway, a finer, more intricate spray motif than the bold hibiscus and pansy designs

Deep teal satin folded over, the delicate botanical spray pattern reading almost entirely through tonal sheen

A soft crease in the teal satin, the floral spray only emerging where the light catches the surface

Teal floral satin draped in loose waves, the delicate tonal motif visible across the moving fabric

Front and reverse of the teal floral colorway, both sides close in tone with a subtle sheen shift

A wider cut of the teal floral satin laid flat, showing the full scale of the spray pattern

Close detail of the taupe floral colorway, suited to buyers wanting a quiet, intricate pattern over a bold one

Taupe-grey satin folded softly, the same delicate floral spray reading warmer than the teal colorway

A gentle fold in the taupe satin, the floral spray catching light unevenly across the crease

Taupe floral satin draped to show its fluid movement, the tonal motif visible mainly through sheen

Taupe colorway shown front and back, the reverse side settling into a slightly cooler grey

A wider view of the taupe floral satin, laid out to show the full intricate spray repeat

Close-up of the slate blue oval lattice colorway, a geometric repeat rather than a floral or organic motif

Slate blue satin folded over, the repeating oval lattice pattern reading as a structured geometric texture

A tight fold in the slate blue satin, the lattice rows bending in step with the crease

Slate blue lattice satin draped to show its glossy movement against the repeating oval texture

Front and reverse of the slate blue colorway, both sides close in tone with a subtle sheen shift

A wider cut of the slate blue oval lattice satin, shown to see the full scale of the geometric repeat

Close detail of the taupe-bronze lattice colorway, suited to buyers wanting a textured neutral

Taupe-bronze satin folded softly, the same oval lattice pattern reading warmer than the slate blue colorway

A soft crease in the taupe-bronze satin, the lattice rows catching light unevenly at the fold

Taupe-bronze lattice satin draped loosely, the geometric texture visible across the moving fabric

Taupe-bronze colorway shown front and back, the reverse settling into a slightly deeper brown

A wider view of the taupe-bronze oval lattice satin laid flat, showing the full repeat

Close-up of the teal-green lattice colorway, the coolest-toned option of the three

Teal-green satin folded over, the oval lattice texture reading cool against the muted green base

A tight fold in the teal-green satin, the lattice rows bending with the crease of the fabric

Teal-green lattice satin draped to catch the light, the geometric texture visible across the fold

Front and back of the teal-green colorway, the glossy face slightly more saturated than its reverse

A wider section of the teal-green oval lattice satin, shown to judge the geometric pattern at scale

Close-up of the brown and sage baroque colorway, an ornate paisley-scroll motif rather than a floral or geometric one

Deep brown satin folded over, the sage-green baroque scrollwork standing out boldly against the dark base

A tight fold in the brown satin, the baroque scrollwork bending sharply at the crease

Brown baroque satin draped to catch the light, the ornate sage pattern visible across the fold

Front and back of the brown colorway, the glossy face far more saturated than its muted reverse

A wider cut of the brown and sage baroque satin, shown to see the full scale of the ornate motif

Close detail of the olive baroque colorway, more understated than the brown and navy versions

Olive green satin folded softly, the baroque scrollwork reading through tonal sheen rather than strong contrast

A soft crease in the olive satin, the scrollwork only emerging where the light catches the surface

Olive baroque satin draped loosely, suited to buyers wanting an ornate pattern without high contrast

Baroque design: Olive colorway shown front and back, both sides reading close in tone with a subtle sheen shift

A wider view of the olive baroque satin laid flat, showing the full scroll pattern repeat

Close-up of the navy and olive-khaki baroque colorway, warmer in tone than the navy-and-grey version

Navy satin folded over, the olive-khaki baroque scrollwork standing out warmly against the deep blue base

A tight fold in the navy satin, the olive-khaki scrollwork bending visibly at the crease

Navy baroque satin draped to show its glossy movement against the olive-khaki scroll pattern

Front and back of the navy and olive-khaki colorway, the glossy face holding more warmth than its muted reverse

A wider section of the navy and olive-khaki baroque satin, shown to judge the ornate pattern at scale

Close-up of the navy and grey baroque colorway, the coolest-toned of the four options in this design

Navy satin folded over, the cool grey baroque scrollwork standing out crisply against the deep blue base

A tight fold in the navy satin, the grey scrollwork bending sharply at the crease

Navy baroque satin draped to catch the light, the cool grey scroll pattern visible across the fold

Front and back of the navy and grey colorway, the glossy face holding a deeper blue than its softer reverse

A wider view of the navy and grey baroque satin laid flat, showing the full scroll pattern repeat

Close-up of the black graphic line colorway, an abstract fractured-splatter motif unlike any other design in this line

Black satin folded over, the sage-olive abstract splatter motif breaking unevenly across the dark base

A tight fold in the black satin, the abstract pattern breaking sharply at the crease

Black graphic line satin draped to catch the light, the irregular splatter motif visible across the fold

Front and back of the black colorway, the glossy face holding more contrast than its muted reverse

A wider cut of the black and sage-olive graphic line satin, shown to see the abstract pattern at scale

Close detail of the navy graphic line colorway, cooler in tone than the black version

Navy satin folded softly, the grey-blue fractured line motif reading as branching abstract shapes

A soft crease in the navy satin, the fractured pattern bending unevenly with the fold

Navy Graphic Line satin jacquard draped loosely, showing the modern abstract woven motif and fluid fall.

Navy colorway shown front and back, the reverse settling into a softer steel-blue

A wider view of the navy and grey-blue graphic line satin laid flat, showing the full abstract repeat

Close-up of the navy-charcoal graphic line colorway, blending cooler and warmer tones in one abstract print

Navy-charcoal satin folded over, the olive-tan splatter motif standing out against the dark blue-grey base

A tight fold in the navy-charcoal satin, the splatter pattern bending with the crease of the fabric

Navy-charcoal graphic line satin draped to show its glossy movement against the olive-tan splatter

Front and back of the navy-charcoal colorway, the glossy face more saturated than its muted reverse

A wider section of the navy-charcoal and olive-tan graphic line satin, shown to judge the abstract pattern at scale

Tissu jacquard satin extensible bicolore réversible

$34.00 / Meter

Choose how you want to buy

Meters: Minimum cut 1 m

Select quantity

Le tissu jacquard satin extensible bicolore réversible présente un endroit et un envers où brillance et texture mate échangent leurs rôles. À l’endroit, le fond en satin floss porte un éclat brillant tandis que le motif tissé ressort mat ; retournez le tissu et la relation s’inverse, le motif captant la brillance et le fond devenant mat.

Avec son élasticité 2 sens et son toucher doux et fluide, il se comporte davantage comme un satin de mode que comme un jacquard structuré. La gamme comprend les motifs Vague, Motif animal, Algues, Feuille, Pensée, Lys, Hibiscus, Floral, Treillis ovale, Baroque et Ligne graphique, en coloris ton sur ton et très contrastés.

Utilisez-le pour des robes à la fois structurées et fluides, des tenues de soirée, des jupes, des vêtements ajustés et des pièces fortes où l’une ou l’autre face du tissu peut servir à l’assemblage. Fabriqué en Türkiye. Commandez un échantillon pour apprécier l’élasticité et la finition réversible avant la coupe ou la production.

Caractéristiques du tissu : 210 GSM, 130 cm de laize, construction jacquard tissée et élasticité 2 sens. Composition : 64 % rayonne, 34 % polyester et 2 % élasthanne. Fabriqué en Türkiye. La finition satinée réversible est particulièrement réussie pour les robes spectaculaires, les tenues de soirée et les tenues de cérémonie structurées.

Fabric type Jacquard satin extensible bicolore réversible

Composition 64% Rayonne, 34% Polyester, 2% Élasthanne

Fabric width 130 cm

Weight 210 GSM

Weight class Poids moyen

Stretch 2 directions

Transparency Opaque

Drape Fluide

Hand feel Toucher satiné lisse avec léger stretch 2 directions

Texture Tissage jacquard satin bicolore réversible

Finish Finition jacquard satin réversible brillant-mat

Fabric structure Tissé

Shrinkage Rétrécissement minime attendu, mais testez un échantillon avant la production.

Sold by Mètre | Échantillon | Gros

Minimum cut 1.0 m

Wholesale MOQ 25 m

Season Toutes saisons | Printemps | Automne | Été | Hiver

Origin Turquie

Fabric estimator

Not sure how many meters?

Use our fabric estimator to calculate.

Comment utiliser les deux faces de ce satin jacquard réversible dans un même vêtement ?

Les deux faces sont conçues pour être utilisables : le rapport entre zones brillantes et mates s’inverse d’une face à l’autre. Les créateurs peuvent utiliser une face pour le corps principal et l’envers pour les poignets, revers, panneaux, ceintures ou autres détails contrastés, après avoir comparé le coloris choisi à la lumière réelle.

Quelle est l’élasticité de ce tissu ?

Le produit est indiqué avec une élasticité dans 2 sens et contient 2 % d’élasthanne. Testez l’allongement et la reprise réels d’un échantillon avant de réduire l’aisance du patron, car il reste un satin jacquard tissé et non une maille très extensible.

Convient-il à une robe ajustée ?

Oui pour les modèles tissés ajustés ou semi-ajustés lorsque le patron est testé avec l’élasticité dans 2 sens et la reprise réelles du tissu. Les fermetures, coutures et aisances doivent tout de même être prévues comme pour un tissé extensible, et non comme pour un jersey moulant.

Que signifie 210 GSM pour le vêtement fini ?

210 GSM lui donne un corps de poids moyen tandis que la construction satinée reste fluide. Il peut convenir aux robes, jupes, pièces ajustées et tenues de cérémonie sans se comporter comme un satin très léger ou un brocart lourd.

Le tissu est-il opaque ?

Oui. Il est indiqué opaque en usage normal, ce qui le rend adapté aux vêtements où la couvrance directe est importante.

Quelles familles de dessins sont disponibles ?

La gamme actuelle comprend les dessins Wave, Animal Motif, Seaweed, Leaf, Pansy Flower, Lily Flower, Hibiscus Flower, Floral, Oval Lattice, Baroque et Graphic Line.

Dois-je choisir la face principale avant de couper ?

Oui. Comparez les deux faces sous l’éclairage prévu, puis marquez la face choisie et le sens du haut sur chaque pièce du patron afin que l’éclat et l’orientation du motif restent voulus dans tout le vêtement.

Puis-je associer les deux faces sans que le vêtement paraisse dépareillé ?

Oui, si c’est planifié volontairement. L’envers utilise la même construction tissée avec le rapport brillant/mat inversé ; il crée donc un contraste coordonné plutôt que d’introduire un tissu sans lien.

Comment la laize de 130 cm influence-t-elle la coupe ?

Une laize de 130 cm est plus étroite que de nombreux tissus de robe de 145 à 150 cm ; vérifiez donc soigneusement le placement du patron avant de commander. Les robes ajustées, jupes amples, grandes manches et raccords de motif peuvent augmenter le métrage.

Dois-je raccorder le motif jacquard aux coutures ?

Pour les motifs marqués ou les panneaux symétriques, examinez le rapport avant de couper et décidez où le raccord améliore le vêtement fini. Un raccord exact peut augmenter la consommation de tissu.

Quel rendu auront les zones brillantes et mates en photo ?

Les deux faces et les motifs tissés réagissent différemment à la lumière directionnelle. Testez un échantillon sous l’éclairage de studio, à la lumière du jour ou sous l’éclairage de l’événement pour décider quelle face rend le mieux en photo pour le vêtement prévu.

Que tester avant de coudre ?

Testez sur un échantillon la reprise élastique, la taille d’aiguille, la finition des coutures, le repassage, le placement du motif et les deux faces du tissu avant la production. Évitez de découdre à répétition dans les zones satinées visibles où des marques d’aiguille pourraient rester.

Les nouvelles commandes seront-elles parfaitement identiques ?

De légères différences de couleur, d’éclat et de tissage peuvent survenir entre les lots de production. Pour des ensembles coordonnés ou des productions en gros répétées, commandez la quantité prévue en une seule fois ou comparez un échantillon actuel avant de recommander.

Convient-il à une collection de boutique coordonnée ?

Oui. La base commune réversible et extensible de 210 GSM en 130 cm se décline en plusieurs motifs et coloris, ce qui permet de varier les dessins d’une collection tout en gardant un comportement de confection similaire. Testez d’abord ensemble les variantes choisies.

Quand choisir plutôt un autre tissu ?

Choisissez une maille très extensible lorsqu’une forte élasticité est essentielle, un jacquard non extensible pour une structure tailleur plus ferme, ou un satin extensible uni lorsque vous voulez le même type de mouvement fluide sans motif tissé.

Breathability

3/5

Sweat handling

3/5

Layering

5/5

Sun protection

3/5

Softness

8/10

Drape

8/10

Sheen

10/10

Wrinkle resistance

7/10

Fabric care

Avant de couper ou coudre ce jacquard satin extensible réversible, testez sur un échantillon le lavage, la vapeur, le repassage, le retour élastique et l’éclat. Le tissu étant double face et tissé extensible, examinez les deux côtés avant de choisir l’endroit du vêtement.

À tester d’abord Testez le lavage, la vapeur, le repassage et le retour élastique sur un petit morceau avant de couper l’ensemble du tissu.
Face réversible Choisissez la face principale avant la coupe et vérifiez le sens des couleurs, l’éclat et le placement du motif.
Lavage Privilégiez un entretien doux à froid ou le nettoyage à sec pour l’option la plus sûre pour le vêtement fini.
Séchage Ne pas sécher en sèche-linge. Séchez délicatement à l’air libre à l’ombre et évitez d’essorer ou de tordre énergiquement.
Repassage Repassez sur l’envers avec une pattemouille, à basse température et avec une pression légère.
Coupe Laissez le tissu se détendre à plat avant la coupe pour que l’élasticité et le droit fil se stabilisent.

Conseils d’entretien généraux uniquement. Les résultats peuvent varier selon la couleur, l’élasticité, l’éclat satiné, la vapeur, la qualité de l’eau et la confection du vêtement.

Fabric comparison

Compare to Satin imprimé à une seule face

Le satin imprimé crée son motif principal par la couleur de surface et est généralement conçu autour d’une seule face principale, tandis que ce produit est un jacquard tissé réversible avec une élasticité dans 2 sens.

This fabric is better when

Les deux faces peuvent être intégrées volontairement dans la confection du vêtement.
Le motif tissé ajoute un dessin de surface structurel au lieu de reposer uniquement sur une couche imprimée.

Satin imprimé à une seule face is better when

Choisissez le satin imprimé lorsqu’une image multicolore détaillée ou un imprimé graphique personnalisé compte plus qu’une texture tissée réversible.

Best choice: Choisissez ce tissu pour un design tissé réversible et le satin imprimé pour des graphismes de surface axés sur l’image.

Compare to Jacquard tissé non extensible

Un jacquard non extensible offre une structure tissée stable, tandis que ce tissu contient 2 % d’élasthanne et est spécifié avec une élasticité dans 2 sens.

This fabric is better when

La catégorie de produit mesurée convient aux silhouettes tissées ajustées et semi-ajustées avec un peu de souplesse.
La finition satinée réversible offre deux options de surface coordonnées dans un même tissu.

Jacquard tissé non extensible is better when

Choisissez un jacquard non extensible lorsqu’une stabilité ferme et une construction prévisible sans élasticité comptent plus que la souplesse.

Best choice: Choisissez ce satin réversible pour la souplesse d’un tissé extensible et le jacquard non extensible pour une construction plus ferme et stable.

Compare to Satin extensible uni

Les deux peuvent offrir un mouvement fluide et de l’élasticité, mais le satin extensible uni n’a ni motif jacquard tissé ni effet de motif réversible.

This fabric is better when

Les dessins tissés ajoutent un intérêt visuel sans nécessiter d’impression séparée.
Le rapport brillant-mat s’inverse d’une face à l’autre pour plus de possibilités de design.

Satin extensible uni is better when

Choisissez le satin extensible uni lorsqu’une surface unie sans motif est plus facile à coordonner entre vêtements et accessoires.

Best choice: Choisissez ce jacquard lorsque le motif tissé et la face réversible font partie du design ; choisissez le satin uni pour une base unie plus épurée.

How do shipping, duties, taxes, and delivery work?

HIBA Fabrics ships internationally to the USA, Canada, UK, Australia, UAE, Saudi Arabia, and many other destinations. Shipping options, estimated delivery times, duties, VAT, taxes, and any applicable import charges vary by destination and are displayed at checkout before payment where applicable.

Shipping & Delivery

Explore next

Similar fabrics

View all fabrics

Moroccan embossed rayon viscose jacquard fabric close-up showing raised woven leaf texture

Langue

Devise

Panier

Désolé, il semble que nous n'ayons pas assez de ce produit.

Tissu jacquard satin extensible bicolore réversible

Product Specifications

Not sure how many meters?

What buyers ask before ordering

Breathability

Sweat handling

Layering

Sun protection

Softness

Drape

Sheen

Wrinkle resistance

This fabric is better when

Satin imprimé à une seule face is better when

This fabric is better when

Jacquard tissé non extensible is better when

This fabric is better when

Satin extensible uni is better when

How do shipping, duties, taxes, and delivery work?

What should I know before ordering cut fabric?

Need help choosing the right fabric?

Can I visit HIBA Fabrics in person?

Similar fabrics

Tissu jacquard rayonne viscose gaufré marocain

Tissu jacquard satin floss à armure carrée

Tissu jacquard rayonne turc

Tissu mousseline rayonne imprimée

Produits associés

Continue your fabric journey

More Nouveaux tissus

Fabrics for hijabs

Fabrics for dresses

Fabric swatches before ordering

Wholesale fabric orders

How to buy fabric by the meter